Rita Lello

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In Alta Definição, Daniel Oliveira interviews one guest every week with an intimate approach.

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Diogo Almada is a successful account manager at a telecommunications company who is struggling with serious stress and anxiety issues due to the constant state of pressure he lives in. His situation becomes worse when he suffers a stroke which puts him in hospital. There, doctors tell him that if he doesn't slow down things could become much worse for him in the future. He also meets the owner of a vegetables and herbs greenery in Beirais, a small village in the midlands, who is looking to sell it. Diogo then decides to buy him out and risk it as a farmer himself. He wants his girlfriend Teresa to come along with him, but she refuses to leave Lisbon due to her career and also because she doesn't want to give up her city comforts. But Diogo decides to move to Beirais anyway, where he is faced with an entirely different reality from what he’s used to.

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Freedom is a state of mind... Carlos, José and Matias are three old friends who have known each other since childhood. José lives with his daughter, his son in law and his nine-year-old grandson Pedro. Being a grandfather is his only true source of happiness. Carlos is retired and spends most of his days tinkering. Matias, on the other hand, is a widower and lives alone and abandoned, as his son is living abroad. Each of them has a strong and contentious character of their own, but they are all joined by a deep friendship. When José is sent to a retirement home, Carlos and Matias set a plan to bust him out. They sneak into the retirement home and take him away from that depressing environment in which he was discarded. They know that they can’t come back home, so they decide to spend a while in Matias’ house up north. But, in the middle of their escape, they find José’s grandson snuck in there. Pedro doesn't want to leave his grandpa and insists on accompanying them in their journey.

Showing reality like it is... What happens when a promising and smart young woman is suddenly called upon to lead he most sophisticated police force in the country. To Ana Belmonte, this is the promotion of her lifetime, to the Criminal Police, this is a shake-up in their deep-seated hierarchy. This young inspector will be confronted with crimes that are tough to crack, where everyone is a suspect and leads can lead to the most unexpected places. But she’ll also have to face the jealousy and anger within her own department, where there are as many allies as there are enemies, and she’s a woman in a men’s world. Having been promoted by her former stepfather and national director Alberto Machado, Ana is going to permanently change the lives of those around her, whether they like it or not.

A series about the phenomenon of rock and roll in Portugal during the 1980's.

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A story developed in two different narratives which are interlinked. On the first one, the two friends Bruno Nogueira and Gonçalo Waddington (playing themselves) set out on a caravan trip through Portugal with the desire to escape from their daily lives and find a solution for their personal struggles. On the second one, there's the fictionalized making-off of the miniseries itself.

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Within a peculiar family drama, Inês finds peace in pain. While getting evicted by her landlord and dealing with her grandfather’s loneliness and dementia, she finds comfort in the imaginary figure of her deceased father.

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In a time preceding the Carnation Revolution, we meet two men: one young, one old. One is fleeing the country, and the other helps him escape through Trás-os-Montes. While they make “the leap,” they speak about their lives and their troubles… This is an ode to those who fought for Freedom, and to these fifty springs that have passed. Throughout 13 performed songs, we travel across the country, hand in hand with several Portuguese people who tells us their stories through music, until we get back to this young man who runs away and returns to Lisbon, shortly after the Revolution, to reunite with his loved ones and live in freedom.

A fiction within fiction, in which a television crew shoots a film about the poet and philosopher Anthero de Quental, from São Miguel, in a vision of his life and work staged and told through the fictionalized testimonies of those who knew him. The poet's life and death will be staged through the eyes of a group of traveling performers and the testimonies of some of the personalities who knew him best: Ramalho Ortigão, Eça de Queiroz, Oliveira Martins, Teófilo Braga, and his sister Ana Quental, whose sometimes contradictory points of view will attempt to unravel some of the enigmas that haunted Athero's tormented existence and the complete reasons that led him to the bench where, under the anchor of Hope, the poet described his life and committed suicide.