Vladimír Bahna

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This dramatic story is situated in the town of Trnava of the 18th century. Painter Peter paints an altar-piece of the Martyrdom of St. Juliet and his model is a young girl. This is much disliked by the clergy who unjustly accuse the girl of witchcraft. She is saved from being burnt at a stake by the students of the Trnava University.

Historical satire from the first half of the 19th century, which captures the decay and decline of the landed estate. The impoverished peasants still seem to adhere to the old principles of peasant honor and glory, but the elections will show how easy it is to buy knightly qualities.

Film adaptation of Rudolf Jašík's novel of the same name. The plot of the film is situated in the forties of our century, in the first years of the Second World War. It captures the political and social atmosphere of one of the Slovak towns that lives seemingly in the lee, far from the world and war. Well, appearances are deceiving. Beneath the surface of peaceful, everyday life, a tragic process is taking place, accelerating people's destinies, the disintegration of their characters, but also the maturing of their relationships. The film is the story of Eva and Igor, their love, violently interrupted by political events. In this era of personal and social tragedies, children become adults almost overnight, honest people become victims, and mentally ill people become murderers. The film about the fates of Eva and Igor, the Jewish cartmen Samko and Maxi, and the careerist Flórik presents a believable, convincing picture of the era marked by the expansion of fascism.

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Levoča, first half of the 16th century. Master Paul creates his most famous work - a late Gothic altar in the Church of St. James. He has just recruited the carving companion Kristof into his service.

The film adaptation of the novel of the same name by Peter Jilemnický is a drama about the life of poor Kysuce miners, which takes place in the thirties during the economic crisis. During the peak wave of emigration, the dream of a better life drives thousands of people to America for work. Others, in order to support their families, leave for the surrounding towns. Produced by the Bratislava Art Film Studio, studios and laboratories Bratislava - Koliba.

Slovak partisans, bravely fighting against Nazi superiority, would never have succeeded to such an extent if they had not been supported by the villagers. Despite the threat of repression, it is the villagers who care for the wounded, hide them, and behave conscientiously. Although the film was made in the late 1960s, it fully adopts the patterns of partisan stories, perhaps the only thing it can be credited with is a more developed sense of authenticity in the story, characters, and setting.

During the Slovak National Uprising, even ordinary people were determined to perform heroic deeds, even though they knew they were exposing themselves to great danger. The heroine of this film, a simple country woman, has a hard time paying for her bravery: she is sentenced to death, postponed for now so that she can nurse her recently born baby. She is even offered salvation if she betrays, but the presence of a member of the Soviet army infuses her with determination and hope. Early Spring belongs to the usual schematic, lifeless staged views of the subject that the communist regime has elevated to the level of sacred matter.

Because abortions required complicated approvals, an enterprising doctor secretly set up a sort of private practice where she offered this "service" illegally. However, the sympathetic doctor who was supposed to become a valuable helper in this business flatly refuses.

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No description available.

Historical reconstruction of the events of the anti-fascist struggle in Slovakia in 1943 and 1944.

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No description available.

Documentary film about the Slovak Youth Line - a railway line built by the Czechoslovak youth from Hronská Dúbrava to Báňská Štiavnica and Letovice.

A dramatic story of a young woman, Mária Kedrová, who gradually breaks free from her humiliating position in her family and society in the post-war years. Tired of the inhumane work and tyranny on behalf of her husband's kulak family, after endless humiliation, she leaves the Kedrová house with her son Martin to start living her own life.

No description available.

No description available.

No description available.