Hadas Ayalon

The life and work of German political philosopher of Jewish descent Hannah Arendt (1906-75), who caused a stir when she coined a subversive concept, the banality of evil, in her 1963 book on the trial of Nazi war criminal Adolph Eichmann (1906-62), held in Israel in 1961, which she covered for the New Yorker magazine.

The film delves into an almost forgotten event that took place in Kfar Qasim in October 1956, when 47 innocent civilians were shot and killed by Israeli Border Police soldiers. Through a gripping narrative structure, like a suspenseful legal drama, the film unfolds the historical, political, and psychological reality that shaped and triggered the event. A cinematic montage created by the intertwined plotlines, emphasizes immense gaps, conflicting narratives, and deep divides between Jews and Arabs who are destined to live together on the same land. If we begin to recognize these gaps, will there be hope for reconciliation?

Bathya is a former movie star who feels that her life is finally about to change. After years of frustration she was offered a part in a movie, but something happens in the morning of the audition, that forces her reexamine her priorities in life.

The film tells the story of six gay men that were born in the days of the establishment of the State of Israel. Their stories serve as the film’s background for the depiction of the clandestine and undocumented lives of homosexuals in Israel during the 1960-70s; From the time that their sexual identity was considered illegal and a mental illness, up until 1979, when a few brave ones dared to go public and demonstrate for their rights, as the history of the Gay community in Israel began to be told and documented.