Acting
The only son of a sushi chef hates sushi and decides to leave home to search for a job and make his own way.
A princess in disguise, Oshichi launches an investigation to reveal the truth about the disappearance of young women in Edo.
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Set in a bustling 1950s parlor, a beautiful counter clerk falls for a wealthy businessman’s son, only to have their romance derailed by a ruthless loan shark and a mounting family debt. As the parlor faces ruin, the narrative weaves through slapstick antics, musical numbers by Enka legends, and surreal interviews with real-life cultural figures. A chaotic "blueprint" for the Pachinko subgenre, this musical dramedy captures the obsession and desperation of the silver balls.
One night in Edo, a mysterious woman in a palanquin appeared at the moneylender Yamashiroya, revealing herself to a beautiful woman. She told the owner, Shigebē, that she had come to collect a life he owed from twenty years ago and then left. The same night, Maruiya Genbē also received a visit from the woman's palanquin, and nearby, a man named Manbē was murdered. The detective Hayanawa Gohē concluded the murder was the work of a fox spirit, but another detective, Den Shichi, skeptical of this theory, noticed footprints on the tatami and decided to investigate further.
As the show begins, the stage starts to rotate, and popular stars are murdered one after another—is it a random killing spree or a premeditated crime? A unique thriller that will have you laughing and shivering at the same time.
This 1956 adaptation of the novel with the same title puts more focus on the characters and their interactions than the previous version.
Short music program hosted by Mizue Shiratori, with popular singers competing against each other in pairs.
This is a paradise of dream and illusion, a country of Raccoon Dogs. The Bat Tribe lives in a neighboring country took a young prince of Raccoon Dogs as a hostage, and try to take a Buddhist saint from the temple by force.
The masked avenger Kurama Tengu is linked to a plot to bring down the Tokugawa shogunate, but is it really our hero, or an imposter?
Kamezo, a manzai comedian, had been taking a break from performing while his partner Tsuruko was giving birth, but Tsuruko announced that she was retiring from the stage. That child was, in fact, the son of Takashi Yashiro, a politician with a promising future. Believing that a relationship between a politician and a female manzai comedian would bring unhappiness to Yashiro and his wife, Tsuruko changed her address and was even preparing to leave the stage. Tsuruko’s alcoholic father, having caught wind of this, snatched the child, Yoko, and squandered the small sum of money he had received from Yashiro on drinking.
Kingoro Yanagiya's 100th film.
A young, talented singer (Misora) is orphaned, not once but twice, and has to turn to a rather unlikely, and unwilling, parental figure, while avoiding her wealthy, absentee father, his hired goons, and the neighborhood fortune teller (Enoken) who's after the reward money.
An Invention laboratory is working on the creation of a performance 'bomb' in the shape of a rocket that could be delivered to the front in order to entertain and amuse the national troops. Inside this rocket would be tiny performers. Once launched from the laboratory and landed amidst the Japanese troops the soldiers could enjoy the performers. The laboratory succeeds and the rocket is built. It bears the insignia, 'until the victory days.' The Japanese government began a program of shooting and disseminating propaganda and entertainment movies for its troops during World War II. Only 15 minutes of the film survives.
A young boy named Chomatsu (Misora Hibari) lives with an old man Denbei near the grounds of Asakusa temple as bell ringers. In their house is an Echigo lion mask, a memento of Chomatsu's deceased father. After several incidents of Echigo lion masks being destroyed in the area, a local kingpin Saheiji shows up at Denbei's demanded he hand over the mask, a request Denbei rejects out of pity for Chomatsu. However, after it is accidentally revealed that the mask contains an important map, Saheiji plots to steal the mask. Chomatsu gets involved after his mother makes a sudden reappearance that sends the boy on a roundabout journey that will reveal the truth about his family.
