Christian Reitz

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During the 1972 Munich Olympics, an American sports broadcasting crew finds itself thrust into covering the hostage crisis involving Israeli athletes.

Spanning 1919 to 1982, in the fictional village of Schabbach, live Maria Simon and her family, whose lives and community are changed by historical events around them.

The village Schabbach experiences Germany's triumphs and tragedies from 1989 to 2000.

The Dumpster Kid is an artistic creation: in every story society forces her to learn something. But she, fully grown from the moment of her birth, unquestionably learns more than is called for. This extra knowledge, which is not wanted by society, regularly brings her into danger. Dumpster Kid dies in each story, and across each genre. Her stories are set in a whole range of different time periods. What is a Dumpster Kid?

Short by Edgar Reitz.

Out of her love for the great thinker Leibniz, Queen Charlotte commissions a portrait of him. During the portrait sessions, the philosopher and the young painter engage in a passionate struggle for truth in image and likeness, and ultimately for love and death.

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For over half a century, the filmmaker Edgar Reitz, one of the signatories of the Oberhausen Manifesto and a pioneer of epic film narration, has explored, as a practitioner and theoretician, the rules and limits of cinema, which he always seeks to break and extend in new ways. One example of his tireless search and research are the Geschichten vom Kübelkind, which he co-directed with Ula Stöckl in 1969/70, 22 absurdly funny, subversive and anarchistic short films of different lengths, which consciously oppose all conventions, with incredible success. The films remain unrivalled in their Dadaistic inventiveness.

Eleven-year old Jason and his companions, including Hercules and Orpheus, go with the ship "Argo" in the search for the Golden Fleece. With wit and cunning to overcome various obstacles until they reach the destination of their fantastic journey. The experiment is not only due to the popularization or naive glorification of a myth, but the search space occupied by fact that the heroes of antiquity were actually very young.

Follow-up to the TV trilogy “Heimat”, this time for cinemas, set again in the fictional village Schabbach in the Hunsrück region of Rhineland-Palatinate.

A meditation on the first 100 years of German cinema, featuring an assembly of German filmmakers.

Lulu, the daughter of musician Hermann Simon, is looking for something she feels is missing from her life. She delves into the past and is transported to the lives of her ancestors via dreamlike sequences that show the hopes and realities of her female relations over the course of an entire century. Heimat Fragments is an intoxicating trip into the lives of venerable characters from different periods in Lulu's family history, from long-forgotten scenes of war to every day family life on the farm. This gripping film shows fragments of the lives that shaped her own. Her gaze into the past does not simply signal the end of her youth, it means the beginning of a newly gained freedom.

For the young prosecutor Daniela Mauriac, everything seems to be going according to plan. Chief Prosecutor Julius Stern offers her the chance to succeed him. Full of enthusiasm, she throws herself into her first case: a serial killer who calls himself Cupid pierces his victims’ hearts with arrows and arranges their bodies as if they were crucified.

In 1968, the young Edgar Reitz teaches filmmaking at a girls’ school – a ground-breaking educational experiment. Fifty-five years later, there is a class reunion.