Eric Muzzy

Zoe Beloff Surprise: Bertold Brecht and Walter Benjamin have been reincarnated as an Iranian and an African-American and they roam today’s New York. At times they are a comic duo, at others the voice of our conscience: the babbling couple provides good weapons to attack the world.

In 1948 the James Agee wrote a scenario for his lifelong hero, Charlie Chaplin. Deeply disturbed by the bombing of Hiroshima and Nagasaki, Agee imagined New York destroyed. In the ruins, Chaplin's Little Tramp builds a shack in Central Park. Gradually a small community of the dispossessed grows up around him. For Agee, his story was a thought experiment about how one might start again in the aftermath of disaster, to go beyond capitalism and just how hard that is in the face of our modern technological world. The film focuses on his imaginative journey and what it might mean for us today.

Russian avant-garde filmmaker Sergei Eisenstein and German playwright Bertolt Brecht recount the brief portions of their lives they spent in Hollywood trying to make art that was both radical and popular.

The saga of a movie treatment written by German playwright Bertolt Brecht during his unhappy stint in Hollywood based on a Life Magazine article about a farm family who win a week's stay in a model home at the Ohio State Fair, with the catch that they will be on display to the public.

This interview is with Ah Bao, a knife sharpener and shoe repair man in New York City's Chinatown.

This interview is with Michael Paul Britto, Community Coordinator at Forsyth Satellite Academy High School, as well as an arts educator and artist.

An exploration of Soviet director Sergei Eisenstein's notes and drawings for a science fiction movie that he pitched to Paramount in 1930 about the residents of a skyscraper with walls and floors of clear glass.

Evocative yet playful, Life Forgotten asks, how does everyday entertainment bring people together and act as a catalyst for social change? Situating archival film in parallel with reenactment, the film conjures up New York’s Lower East Side in the early years of the twentieth century, it centers on a real storefront cinema, Frank Seiden’s Variety Theater. Here silent movies were anything but. Frank and his sons improvised dialog for the films and sang Yiddish ballads to an audience that didn’t hesitate to join in or argue back. It was a welcoming space for women and the film follows a group of radical young garment workers who gather here to figure out how to fight for women’s rights and change their world.