Shyamanand Jalan

Feluda finds a fake medicine racket is operating from Nepal. He goes to Nepal with Jatayu and Tapesh to catch a murderer, and discovers the case to be far more complicating than it seems. While investigating, Jatayu gets drugged and Feluda meets his arch-enemy Maganlal Meghraj in Kathmandu.

Max Lowe is a Houston surgeon who has grown weary of the bureaucracy of American medicine. When he loses a patient on the operating table, Max impulsively decides to leave America and travel to India in the hope of finding himself. Not long after he arrives in Calcutta, Max is attacked by a group of thugs and left without money or a passport.

Ravi, a wealthy model, leaves his father's business after unsatisfactory modeling work and returns to his parents' home to join struggle students and revolutionary Manohar.

The film is based closely on the life of the real-life Dada Thakur, and was made in his lifetime. Dada Thakur (Chhabi Biswas) starts his career with a hand-operated press, with his wife as his assistant. Later he is joined by Nalini Kanta Sarkar, an underground freedom-fighter. Dada Thakur brings out the newspaper Jangipur Sangbad. He campaigns against social evils and earns the ire of the ruling classes. He saves a girl, Lata, from the unwanted advances of Darpanarayan (Biswajeet), scion of the local zamindar. Lata joins the ranks of freedom fighters working with Sarkar. Subsequently, a reformed Darpanarayan too becomes an ardent follower of Dada Thakur and joins the struggle for India's freedom. Dada Thakur's greatest success is when he helps an ordinary man, a petty shopkeeper, get elected as the Municipal Commissioner of Jangipur.

In order to treat his visually impaired son, mill owner Jethia forges some documents to acquire the eyes donated by Jadunath, one of his workers who was wrongfully framed for a couple of murders and sentenced to death.

In this rather routine, made-for-television movie by famed Indian director Mrinal Sen, an employee (K.K. Raina) in a large office is suddenly facing unemployment because his bosses have found him guilty of negligence. He is devastated, but he cannot lose his job since he is the only support of his family. Interspersed with the employee's efforts to convince his boss, in several different ways, that he cannot be fired are direct dialogues with the author (Shyamanand Jalan) who created the character of the employee. In these latter conversations, the employee berates his creator for giving him an impossible, no-win situation — he has no control over his fate.

Based on Bengali story “Ghar Bari” by Dibyendu Palit, a former revolutionary who has deserted the movement lives in fear of running into old colleagues. Meanwhile he pushes his wife into modelling, and later seamier projects, with tragic consequences.