Carmen Pollard

A small-time car stereo thief weasels his way into intercepting a high-stakes drug deal. The job seems simple and easy, but he soon encounters double-cross upon double-cross, merciless drug kingpins, and a mysterious female thief. This beautiful, glossy, neo-noir, fast-and-furious action thriller explores the seedy, dangerous underbelly of East Vancouver, and ultimately unspools a tale of the inexorable hand of fate.

In the Bella Coola Valley, a haunting legend endures through generations as a filmmaker reckons with whether the stories of her ancestors can survive being held or if they were never meant to be captured.

A POV documentary following filmmaker Teresa Alfeld's journey uncovering the story of her childhood best friend's dad, Doug Bennett, leader of the legendary 1980s Canadian party band Doug and the Slugs.

This feature documentary is an exploration of the concept of dirt and impurity. From the slums of Kolkata to Vancouver's Downtown Eastside to a barbeque joint in Central Texas, Dirt digs deep into the webs of meaning and feeling attached to that deceptively simple 4-letter word. An odyssey into all things unclean, the film features animation to make Hieronymus Bosch blush and music from Godspeed You! Black Emperor.

In Vancouver, Alex, from the Nisga’a Nation, talks about the abuse and violence that drove him to take his first drink. Paula, a Woodland Cree woman, started shooting up at age 11; soon, the only way to support her habit was as a sex worker. As a five-year-old girl, Desirae was put into foster care; now as an adult with her own kids, she struggles to break the generational cycle of addiction.

To get to class on time, children from the Raymur Place social housing project were forced to jump shunting train cars that stood in their path. In 1971, after months of petitioning for a safe crossing, a group of mothers made their voices heard by blockading CN rail from delivering goods.

A portrait of The Dishrags—Western Canada’s first all-girl punk band.

Feature documentary about Sam Sullivan, a quadriplegic city councilman running for mayor of Vancouver.

When James Pollard is given a terminal cancer diagnosis, he sets about orchestrating his own death. Like any good theatre producer, he researches options into different modes of burial, and the best means and methodologies of preserving his body after death. This may sound slightly morbid, but the practicality, and often surprising amounts of humour, with which James contends with his situation allows for an openness and freedom in dealing with death.