Mirosław Neinert

Kryminalni was a Polish crime drama television series that aired on TVN network from September 18, 2004 until May 24, 2008. It ran for 8 seasons and 101 episodes were broadcast in total. It was created by Polish director and screenwriter Piotr Wereśniak and produced by MTL Maxfilm studio. The series followed life and work of police officers from the elite Criminal Terror and Murders Division of the Warsaw Metropolitan Police; the title refers to police officers in the crime section. The three main characters were Adam Zawada, an experienced, tough cup, his younger colleague Marek Brodecki and Barbara Storosz, an ambitious female officer who in the first season joins the team just after graduating. Although none of the main actors had had star status before the series debuted, all three of them rose to prominence and popularity during the 5-year-long run. Many of Poland's best known actors guest starred, usually playing roles of people involved in just one particular investigation. The serial was one of the most popular in Poland: each week it had an audience of 4 million.

With only his wife by his side, a promising young boxer flees communist Poland to chase his dream of becoming the greatest fighter in history.

Tadeusz Boy-Żeleński, Witkacy, Joseph Conrad and Bronisław Malinowski, four leading figures among the Zakopane bohemians, wake up after an all-night drunken party. Their hangover headaches are killing them, none of them remembers anything, and finding the corpse of a male stranger on the floor doesn’t help.

After a spate of mysterious disappearances in 1950s Kraków, young investigator Karski believes he's on the trail of a vicious serial killer. When his investigation points to wealthy and respected playboy Wladyslaw Mazurkiewicz,Karski finds himself up against his own supervisors, a mysterious woman and the hypnotic charms of Beautiful Wladek himself.

The story of the late 90s generation and the three friends behind the music: Magik, Fokus and Rahim. The fact-based film charts the relentless struggle for success of Paktofonika, against the backdrop of crumbling traditional values in dreary 90s Silesia.

A 2005 novella film created to commemorate the 25th anniversary of the Solidarity movement. It consists of 13 10-minute shorts. There are various forms: mini-feature, music video, documentary, animation, interview.

Commissioner Zawada and his team chase the Gravedigger, who kidnaps women and buries them alive.

Lives of three different people living in a small Silesian town intersect.

A coal mine director invites Jacob, a TV series star, to add splendor to the celebration of St. Barbara's Day, the patroness of miners. Basia, a worker from the sorting department, is chosen to hand Jakub the welcoming loaf of bread. The two completely different worlds come together: flashy, success oriented strangers from Warsaw and traditional, modest and unwilling to change Silesians.

Andrzej (Bartosz Opania), a popular film stunt is a happy husband and father. It appears that the specific work of Andrzej does not disturb his calm family life. So how should be explained the anxiety, which appears in the moment of Andrzej's another risky venture? The film was based on a story by Joanna Kocemba "Rainbow" and refers to the Decalogue First Commandment “You shall have no other gods before me” - as a part of film cycle produced within the project „Dekalog89+”. Leszek Korusiewiecz is one of the ten young directors which has taken the challenge of making new film on the Decalogue Commandment's impact for young generations, due to the project made on 20th anniversary of launching the famous "Decalogue" by Krzysztof Kieślowski.

The monodrama is based on Alojzy Lyska's text “Jak Niobe.” Hanka Jonakowa, a Silesian born near Pszczyna, spins a tale in which personal experiences are intertwined with great historical events, almost always signifying fear and suffering. The show is inspired by the history and culture of Silesia. Performing in the main role, Grażyna Bułka won the Złota Maska award in 2017 in the best female role category for her performance. It is the acting that is the main strength of the show. In an intimate space, limited only to a chair and a rod, Bulka portrays a range of situations and emotions that build tension and strongly affect the audience.

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