Lilian Rosado González
Writing
Known For
A woman who is 27 weeks pregnant is the victim of an attack and since then she has remained in a coma, hovering between life and death. In such a situation of unconsciousness, bad memories and episodes of violence stir in her mind.
Quatre raons
A young Cuban named Olga arrives in Spain with a scholarship convinced that she has landed the chance of a lifetime. Deciding to stay, she eventually becomes an illegal immigrant, suffering the brunt of marginalization and, unable to return home, having to get by as she can. Mari Jo is a young girl from a poor Valencian suburb, born into a family with nothing but problems. Fate has marked her life as she too becomes an outcast. Both end up working illegally in a furniture factory where they earn three times less than the minimum legal salary.
Salted Water
Determined not to simply get married, start a family, and grow old like the rest of the girls in her town, an aspiring Cuban diva sets out to launch a career as a singer.
The Bad Girl
Based on a true story. A Spanish soldier hides out with and aids the Saharawi people of the Western Sahara against the injustices of his own army.
Stories from the Sahrawi war
On January 1, 1994, a revolt led by the Zapatista Army of National Liberation broke out in Chiapas. A Spanish director documents the pain of the indigenous population. Six years later, he intends to go further and visit the refugees and the guerrillas. However, the siege of silence is protected by more than sixty thousand soldiers who prevent access to indigenous communities.
Las cenizas del volcán
No description available.
Una historia que contar
They’re losers and they don’t know it, that’s why they cling to a hope that’s always on the move and will never wait for them. Hatred and loneliness, let-downs and disproportionate loves, animals of uncertainty and desperation. Whose dreams come true lately anyway?
Donde el olor del mar no llega
No description available.
El sueño de las lagartijas
Western Sahara is a country full of stories. We chose to focus on the Sahrawi women living in Spain, where they have taken up careers in different areas: doctors, nurses, teachers, artists, lawyers, writers. We coexist with them. Some are Muslim, others have strayed away from their original culture, although they remain persistent on defending the most ancestral parts of their traditions. It is a gaze through the exiled Sahrawi woman’s eyes.