Çiçek Kahraman

A stagnant and gloomy village in the 1980s. Reyhan, Nurhan, and Havva, three sisters were sent to town as 'besleme' (foster child and maid). Since they fail their foster parents for different reasons, they are sent back to their father's house in their poor village. Deprived of their dreams of a better life, they try to hold on to each other.

A young nurse starts a new assignment in a small isolated village in the farthest reaches of Turkey, a place that seems asleep in an endless winter. A thick layer of snow covers the souls as well as the lands. But under the snow, unspeakable secrets hibernate.

Quiet and introverted toll booth clerk Kenan's life, a humdrum routine between the Tavsancik toll booth plaza and his home, will change the day the new operations chief comes to inspect Tavsancik.

Ozgur is a young woman who is the daughter of a refugee family fled to France. She is born and raised in Paris. After her father Huseyin's death, she comes to Istanbul to fulfill Huseyin's last wish. He wanted to be buried in his own country. But because of September 12 military coup d'etat period, Huseyin is no more a Turkish citizen. So this happens to be a great obstacle for Ozgur. This will force Ozgur to a journey both in Istanbul and herself. In this journey Ozgur will meet with her father's and mother's relatives who are completely different people. Most importantly she will meet with Ferhat who will deeply effect her. This journey will become a confrontation with themselves and 2011's Turkey for Ozgur and Ferhat.

The peaceful cohabitation of two 30-something bachelors is disrupted when they both fall in love with the charming young woman who moves in with them.

Ara is the story of four people and an empty house. These people are stuck between their past and stormy relationships, between Istanbul and the "homes" they can't get back, between their innermost secrets and the lies they tell, between east and west. They are stuck in the "space between". The whole action takes place in an almost empty flat which is belong to one of the characters. The camera goes out only once. But various other visuals from commercials, TV series' that has been shot in the same flat, sneak into the film. Spanning around 10 years, the story is told between intervals of these visuals. Turkey has been through a huge change in the last 20-30 years. The modest country of the recent past is a faded memory compared to the consumerist life style of modern day. It is the time of ambitious people who can do anything to "live well", to "break through". This is the story of a small group of people who manage to "live well" but can't help getting lost in a spiritual vacuum.

Deniz and her friends, who have been apart for the summer, have much to tell each other. While adults are busy with their professional lives, Deniz and her friends are still confused about their university plans. Through the worries of their daily routines, they make plans for the future, yet the challenges of teenage years/adolescence are burdensome. Deniz desires a life that is different than the ideals of her friends. A song nobody has heard of, a hopeless love, solitude. A different world, but where exactly?

During The Feast of the Sacrifice, all family, sons, daughters, granddaughters, relatives gather at the country house of Rıza Gülsoy. Rıza's family celebrates the holiday while they share the good memories, dine, drink, sing, and dance. Horror starts when one of the granddaughters of Rıza the emperor, suddenly disappears.

36-year-old Alis starts living in his car after his father kicks him out of the house. He shaves on the street, eats the food his mother brings over to his car, and applies to job adverts that his mother marks in the newspaper for him. After a series of rejections, he finds himself working door-to-door marketing Karnaval brand carpet cleaners. An unusual bond forms between Alis and "Karnaval". Karnaval even moves in with Alis occupying the front seat of his car. In this new adventure of his, Alis meets a wedding cake-maker named Demet. She lives with her father ever since her mother's death, and dreams of hopping on her motorbike and moving to Istanbul where she would open up a bakery shop

A bunch of friends gather in a house playing video games and having fun. They don't answer the phone calls, they don't stand emotional musics and they get melancholic when someone among them leaves the room. It seems like there is more than meets the eye.

Yusuf, 12, lives in the Digor district of Kars and goes to school every day by bicycle. Although it takes a long time, this trip gives him the opportunity to see Leyla, a girl he particularly likes, for a brief moment each morning.

Sixteen-year-old Kerem, who is counting down the days to become as flamboyant a man as his cruel uncle Bülent, one day has to choose between being a man and being human.

Working from the enforced absence of filmmaker-producer Çigdem Mater--sentenced to 18 years in prison in a trial tied to the 2013 Gezi Park protests for a documentary she never shot--Dadak and Kahraman braid dreams, screen captures, and AI images into a rehearsal for release, summoning Mater as a still-imagined free artist against the state's attempt to erase her.