Leo Maslíah

Federico Veiroj’s fourth feature examines the many, often contradictory layers that make up one’s persona, in this case, a single dad and acclaimed artist who must learn to balance family with creativity.

A movie-theater employee adjusts to a new life as the cinema he's worked at for over 25 years faces closure.

The vicissitudes of a musician fresh from prison that seeks to resume playing music with his band, the Chevrolés, whose members are scattered around the city, earning a living wage through various activities.

Marcos (Gustavo Garzon), an existentially bored university lecturer, gets a grant to return to his birthplace to carry out biochemical research. There he meets old buddy Raul (Leo Masliah), who is now a priest. The story opens out to bring in their schooldays 20 years earlier, during Argentina’s politically active ’70s, when Raul was going out with Tamara (Victoria de Elizalde), who now lives in Paris with husband Paul (Ginger Poujoulet). The mature Tamara (Laura Melillo) returns to be with her sick mother, and Marcos unwittingly stumbles across some high-level politico-economic corruption on the part of the lab’s owners, led by Dr. Castembacher (Jean Pierre Reguerraz). In a piece in which perfs win out over plot, Garzon is satisfyingly nuanced as the disillusioned Marcos. Technically, pic’s restricted budget makes itself felt.

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An audiovisual producer in crisis receives the host of a Dutch travel program in Montevideo. Hidden emotional problems and an old debt to the local underworld threaten to derail the expedition.

Free adaptation of the story “Muebles El Canario” by Felisberto Hernández, with Leo Maslíah in the leading role.

A four-episode miniseries that teaches children the basic principles of oral hygiene and revisits important moments in the history of Dentistry in Chile through the iconic character from the popular children’s show “31 minutos”.