Bernardo Arias

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An obsessive reporter is locked in an asylum where some murders will take place.

A small group of men lead by a woman reside in an old castle and kidnap women they believe are "loose" subjecting them to medieval tortures. One day they kidnap two women who happen to be real witches.

Bernardo has turned 90 and is working to realize a dream: to make a film about art. He spends countless hours writing the script. He understands it's an arduous and complex task: What is art? When is there art? What is the purpose of art? Antonio, his friend, decides to collaborate, lending his knowledge and experience to the project. Marcelo meets Bernardo through Lucy, his partner of over 60 years, and finds him deep in his work, immersed in the uncertainties, frustrations, and joys inherent in any creative process. Watching him work, something of Bernardo's dream awakens in Marcelo a desire, another dream. He offers his help, while also asking to be able to capture Bernardo's daily work with his own eyes, thus creating his film. A dream that gradually shifts from the work Antonio sculpts on Bernardo's camera to Marcelo's gaze.

A history of Argentine horror cinema, from its beginnings in 1934 to present day. It is a path of defeat, dead-end streets and triumphs, where the protagonists will lead us through the lesser known hallways of local horror.

A divorced couple fight over a bankrupt company, while a young woman poses naked for a painter as revenge, an actress rejects a businessman and a model kidnaps her captor.

Tells the story of a poor family, inhabitants of the southern province of Santa Fe, who is forced to move into an abandoned railroad until waters recede Salado river wagon.

For good behavior, four prisoners are released for 24 hours.

The life of peasant from Cuzco Peru who goes to Lima and becomes an attorney, then returns to Cuzco and see how his people is exploited and abused.