Oscar Torres

Azucena is a saucy maid whose personality causes many comical situations. These will increase when the family she works for hosts a recently widowed millionaire returning to Puerto Rico after many years.

A young boy becomes intrigued by one of the characters in his village's celebration of its patron saint.

Widow of a rich older man, Sonia returns to her old neighborhood, unable to claim his inheritance. As soon she arrives, she meets her old love Roberto and they revive their romance. But this love can not be due to Sonia's greed, who becomes the mistress of a handsome and wealthy gangster.

The role that women should play in the modern-day Puerto Rican family is discussed. The discussion is dramatized by a rural husband and wife involved in a domestic dispute.

A revelation about Oscar Torres, her unknown and once world-famous queer filmmaker cousin, sends Victoria down a path of self-discovery through reconstructions of his intimate memories living in the 1950's authoritarian Caribbean, as Victoria leads re-enactments of his unproduced screenplays with the family who erased him.

Posthumous homage to Sylvia Rexach, considered one of the best composers of popular Spanish music. Her daughter, Sharon Reily Rexach, plays the musical composition "Olas y Arenas".

The exploitation of fisherman in Fajardo, Puerto Rico and how the laborers reached their economic independence through operative alliances.

A documentary about the "Ciénaga de Zapata" swamp in Cuba.

“Appearing to be an advertisement for a cigarette factory, this orphan film conceals a utopian project that goes beyond the scope of its original purpose: shot in the Dominican Republic, it consists of illustrations depicting the colonial process, a book of poems by a Dominican writer, the fields of the Cibao region, a man and a woman multiplied by mirrors and smoking, credits that point toward a voice-over narration and songs we never hear, as well as a whole array of film material, perforations, scratches, and secret messages that bind these traces together." - Diego Cepeda

Documentary on patients of the Instituto Psicopedagógico (Psycho-Pedagogical Institute) of Puerto Rico.

A group of peasants of Realengo 18 must face the greed of an American company trying to evict them from their place. One of the peasants will have to deal with the conflict of seeing her son join the rural guard who represses them.