Pavel Taussig

After a fictitious marriage with a Russian emigrant, Cellisten Louka, a Czech man, must suddenly take responsibility for her son. However, it’s not long before the communication barrier is broken between the two new family members.

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In the fifites the 10 year old boy Honza lives with his single mother in Prague. The mother is a dedicated communist in the beginning but she changes her mind when a show trial is held. She speaks about her dissatisfaction with the government and is immediately arrested. Honza is given to another family.

The top sport was also closely monitored in the communist era, and officials were naturally bothered that the pentathlon team failed to win the World Championships. But the measures that should have ensured redress were caught up in a web of behind-the-scenes machinations that backfired on the athletes themselves, their endurance and their family backgrounds. While the film has critical ambitions and wants to reveal much of what should have remained hidden from the public eye, it is a rather clumsy and schematic view, not very convincing in terms of realisation.

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The fate of an unlucky director of a dismantled cultural house who temporarily believes in the meaningfulness of his actions, exposed to the pressure of many different difficulties.

Little Péťa visits his grandfather in the Krkonoše Mountains, where a swarm of bees settles on a tree. When Péťa disturbs it, the entire swarm attacks him, leaving him in a deep coma. Ordinary treatments fail, so Dr. Vrba insists on a beekeeper’s blood transfusion. Grandpa’s blood type doesn’t match, prompting a frantic search—ambulances, authorities, even foreign donors—to find a suitable beekeeper. After multiple transfusions from various volunteers, Péťa shows signs of recovery. With dawn breaking, hope returns as he awakens.

In a kingdom lived Prince Peter, who was far too kind-hearted. Such an obedient boy could hardly ascend the throne, and so his father, the king, had considerable concerns about this.

Thirty-year-old Prokop Randa returns to his native village, where he seeks peace and reconciliation with his life's failures. Jan Čep's novel, first published in 1935, inspired a group of students at Palacký University in Olomouc to attempt to create an experimental film story.

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