Directing
The film director, Bujar, is making a movie about the life and activity of Enver Hoxha. During the film, many retrospectives from the war times till the end of his life are given.
Jona, Arsen and Agron are not three ordinary graduates doing their teaching practice in an industrial center, but three young people who try to have their place in society. Through their social relations and their love, the film penetrates into their spiritual world and psychology, revealing their concepts and moral values.
Romantic drama.
During WWII, Qemal Orhanaj exposes the attempts of the pseudo-democrats and traitors of the country to create their government backed by the Nazis.
A young reporter discovers a problem while investigating a farm and decides to write an exposing article on it, which many people try to prevent from being published.
Shpresa goes to the house of fascist collaborators to commit an assassination. After that, dressed as a bride, she becomes an illegal.
Film set in three different times. In the beginning, Miti is killed while defending his land. Then, the film focuses on his son Gjergji who fights against the Italian forces. In the end, the land is redistributed by the agrarian reform.
The film focuses on 3 characters: Telo, Vera and Kiço. Vera is Kiço's sister and loves Telo, but Kiço is not happy about their relationship.
Germans come amid snow and winter. In the village only people remained are women, that fight until wounded partisans, sheltered in the village, will retreat deeper and snow will cover their tracks. Face to face with the Germans and their control of the village, women, led by mother Shano and mother Mara, depart to make a pile of wood, but actually bring bread and food to the partisans.
The committee led by Çerçiz Topulli, Mihal Grameno and Hajredin Tremishti return to their village and assassinate the Turkish officer of Gjirokastra. Afterwards, the Ottoman army starts a campaign against the province of Mashkullorë, which became a symbol of Albanian resistance and fight for freedom.
