Alise Ģelze

In 1937, amidst Stalin's Great Terror, a newly appointed prosecutor for the USSR is made aware of alleged corruption in the Secret Police, and takes it upon himself to investigate.

A grieving heart surgeon struggling with the loss of his wife drifts through an emotionally detached life while raising his teenage daughter. His chance encounter with a dominatrix awakens feelings he thought were gone, drawing him into a dark and unconventional world where pain and desire intertwine.

After surviving a deadly attack, a guard on the Soviet-Chinese border decides to become a monk but must continually prove along the way that he's capable of becoming the enlightened man he set out to be.

The Humorist is a film about a week in the life of Boris Arkadiev, a fictional Soviet stand-up comedian. Boris is tormented not only by external oppression and censorship but also by his own insecurities that poison all his relationships.

Renowned German organist Anna discovers her Latvian husband's involvement in a corruption scandal, shaking the foundation of their life together. Can she come to terms with this new reality about her husband?

Oleg, a young Latvian butcher, arrives in Brussels in the hope of getting a better salary in a meat factory. His experience turns short after being betrayed by a colleague. Alone in a country where he doesn’t belong, he quickly falls under the yoke of Andrzej, a Polish criminal.

A comedy in six series about two lonely seniors, Archie and Nellie, who try to keep finding new challenges and pleasures in life.

Summer, 1989. City girls, Paula and Laura, spend their summer holidays in a small town with their cousins, Maija and Linda. Four girls, left unattended, enjoy freedom, imitate the life of adults, plunge into reckless adventures and get into trouble. Based on true events, nine-year-old Paula’s story of growing up is set against the background of time when Latvia made her first steps towards independence.

12-year-old Raimonds tries to cover up a bad note at school and starts a spiral of lies, which spins out of control. He has to venture into Riga’s thrilling night-life to save his saxophone, his friendship and his face in front of his mother.

A Greek couple, Anna (Katia Goulioni) and Petros (Andreas Konstantinou), have recently moved to a small industrial town in Siberia. It’s a long process to adapt, especially for Anna, since Petros is quite occupied with his job. That will cause a conflict between them and inevitably the couple is distanced. Everything is escalated as for the past period there is no sexual intercourse between them. This slow-paced decay is intensified when an unexpected event occurs, changing everything between them. Balancing between trust and disbelief the haunting suspense evolves.

The 1960s, Netherlands. Thomas doesn’t realise it yet, but he has special powers. The nine-year-old sees things others cannot. He lives in a strict, religious family where his father, quick to cite the word of God, often resorts to violence. As a sense of injustice grows within him and a longing for freedom takes hold, Thomas begins writing his Book on Everything. In it, he wishes for his father’s punishment and encounters a host of unusual characters: Jesus Christ, a levitating lady with a piano-loving cat, tropical fish swimming in city canals, a young peg-legged witch living next door, and many others.

After losing his leg, ex-cop Didzis focuses on training his three beloved police dogs. His estranged wife Jana, a doctor at the local sports school, seeks romantic fulfilment with Roberts, a 17-year-old student and a promising swimmer. After a secret randez-vous, Jana hits a rabid wild boar with her car and eventually spreads the virus to Didzis’ dogs. The accident ignites dark suspicion and jealousy in Didzis. Busy with finding and punishing Jana’s secret lover, Didzis overlooks the ever-growing strangeness and aggression in his now infected dogs. Just as the love triangle becomes toxic, the dogs escape and threaten the local town. Facing both personal and professional fiasco, Didzis decides to take matter in his own hands.

In occupied Poland 1943, German official Martin Wolff is sent to a remote village to investigate the disappearance of a Jewish lawyer. His arrival unsettles the fragile order between scarred villagers, corrupt collaborators, and Nazi authorities, unearthing a web of betrayal and greed tied to whispers of the lawyer’s hidden fortune. Yet as the village’s darkest truths come to light, Wolff’s search may be hiding more than it reveals.

Laine is a college girl from a bland middle-class suburb in Latvia. As Laine’s father distances himself from his crumbling marriage and his family, Laine is unable to cope with the separation and discovers the edgy Riga party scene, where she falls in love with seasoned raver Gunda. Going from rave to rave, the girls journey into a drug-fuelled underworld of anarchy, freedom and exploration.

Feith and Dallas, a married couple, are struck with news on their son’s sudden death. They are going to the morgue to recognise his remains. Meanwhile on the same road 17 years ago they find out that they might become parents. In a lonely gas tank they stop to meet themselves from 17 years ago and have no choice, they must confront their past and future.

The closed microcosm of garage co-ops, where the socio-economic environment has blended with personal space, provides a step back in time. Men are still boys, but their tinkering is both the trade and hobby of individual entrepreneurs, since self-exploitation as leisure time activity is a time capsule where neoliberalism has enclosed the postindustrial proletariat. Inventors, geniuses, crazy scientists, and men with golden hands - you will find them in garages.

Siblings Roby and Raya after the death of their father and being abandoned by their mother, are forced to live with their dominating grandmother in a small country house owned by their family. Things change after the sudden death of their grandmother. The teenagers have to face a tough choice: either to report the accident and submit themselves to a life in an orphanage or hide the dead body and live as if nothing has happened.

The old gardener works all day in harmony with nature’s rhythms and the wisdom of the ancient Latvians. His happiness and fulfillment is a garden that no longer belongs to him, but he feels like it does due to his large contribution to it. He speaks to the garden, and it responds, giving him shelter and a rich harvest. Autumn arrives and there is much work, more than the gardener can handle. The young homeowners, desiring to make the gardener’s life easier, hire a new gardener. The old gardener’s love of the garden and his unwillingness to share it with anyone else leads him to make an inevitable decision to stay in the garden of his family forever. This is a poetically symbolic story about disappearing time, the land and modern reality.

Four directors capture simple, yet quintessential experiences of a single individual in different periods of his life - childhood, adolescence, adulthood and old age.

Albert is an old man who lives in a house surrounded by the forest. Since the death of his wife, he spends his days in solitude. Driven by loneliness, despair and a longing for his deceased wife, Albert agrees to participate in a spiritual séance, just to be with her one last time. The séance fails; however, it triggers a chain of surreal events that give him hope of regaining that which seemed lost forever. Unfortunately, these events happen only in Albert’s unconscious mind.