Luis Barros

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A child disappears from his parents sight in a mysterious but haunting forest after a punishment.

Sol Negro was an Argentine television miniseries that aired on the América TV channel in late 2003. The plot focuses on the story of a young man who is admitted to a neuropsychiatric hospital to evade prison, and revolves around his insertion in the circle of inmates of the hospital and a complicity network to take away his share of a family inheritance.

A famous TV weatherman, Miguel Flores, becomes public enemy number one when he fails to predict a terrible hailstorm. He is forced out of the big city, Buenos Aires, fleeing the capital for his birthplace of Córdoba. The result will be a voyage of rediscovery that is as absurd as it is human.

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A bigamist with one family in Buenos Aires and the other in Mar del Plata sees his life turned upside down when his wives discover what he has hidden from them for so many years and unite to take revenge.

Felipe a wealthy businessman who has been quadriplegic, due to an accident, is looking for a therapeutic assistant. There are several highly qualified, but he decides to take the assistant of his gardener, Tito who has decided to resign.

A sports fan loses everything for being addicted to his team and soccer. He then starts a quest to find a cure and recover his wife's love.

Mirta is doing her best to navigate the social and economic crisis pummeling Argentina on the eve of the 21st century, after all, she's got an unemployed husband, three stressed-out kids, and a drug addict father-in-law to look after. As the crisis promises to boot the family from the middle class, Mirta decides to open a pizzeria that will serve slices with lots of laughs and extra drama.

Axel is an employee of a call center who is used to complaints from his clients and an unbearable boss. Axel has a natural talent for dealing with people and their problems. But one day everything changes, when he receives a call from Figueroa Mont, a frustrated client who wants to unsubscribe. Fed up with the bureaucracy of the companies, Figueroa warns Axel that he is watching him through a telescopic sight attached to a high-precision rifle and that if he does not solve the problem, he will blow his head off.

A journalist states in her weekly column the reasons why she does not want to have any children, defending her position on life and motherhood. But she will have to rethink her beliefs when she meets her new neighbor and his little daughter.

Documentary that tells the history of River from its beginnings, and its development as an institution, the Monumental, the club, its social work, and the sporting successes, from its beginnings until these last two years and five cups.

Luis Ortega's apocalyptic third feature follows a group of five survivors as they embark on a journey that will force them to face their fears, dreams and longings in their quest for salvation across the Fijman River.

Racing against time, a Chilean dad and his friends embark on a mishap-filled adventure across the Andes to gain custody of a daughter he's never met.

Three boys, sons of the suburb, the street and the economic depression, stroll for a microworld where the crime, the incomprehension and the solitude are their permanent companies.

After a zoo-keeper discovers that animals can speak, powerful businessmen will try to steal them from the zoo.

Peluca is dating Marisita, a girl who has dropped out of school and spends her days watching television and arguing with her mother, who is exasperated to see her with no prospects for the future. The drama of a life without protection is heightened when Marisita becomes pregnant. Peluca sells her prized car, "El Blanquito," and events begin to unfold in unpredictable ways.

Julia is a hairdresser, owner of a remisería, who goes out on a Sunday picnic with her family. The day does not propose anything different from her predictable daily life: the husband protests, the teenage daughter reads dance magazines and the son will be absent.

Graciadió will premiere in Ituzaingó and the show will reunite Violeta Naón and Gustavo Prone, its protagonists, who have not met again in the last eight years. Perrone takes the opportunity to make another film, Eight years later, the story of those two actors and their reunion. To preserve the truth of this new encounter between Violeta and Gustavo, Perrone filmed the entire film with unique shots, without repeating any. One of them a long flat-sequence of 25 minutes.