Óscar Bernàcer

Through her own story we will delve into her traumatic childhood, her artistic past, the loves and disappointments of her life, her loneliness, her fears and, finally, we will learn the truth about her clandestine relationship with the King. Carles Rexach, Alain Delon, Paquirri, Juan Carlos I, Ángel Cristo... Many men wanted to possess her, but none knew how to love her. And, beneath that apparent layer of a tough woman hides María García, a sensitive and fragile woman who, on several occasions, has been on the verge of falling into the abyss: mistreated by her mother; harassed at work; raped, beaten and threatened with death by her husband; evicted and ruined; target of the State sewers... Even so, and despite the bad press, she has always managed to get ahead. María García is the survivor of “Una vida Bárbara” and a reference icon with which to review the recent history of Spain.

Spain, 1953. Pedro Zaragoza, mayor of the city of Benidorm, in the province of Alicante, by the Mediterranean Sea, visits the Palacio del Pardo, General Franco's residence in Madrid, to ask him for help, in the hope of solving a very delicate problem.

After the death of their father, three siblings return to the family home where they grew up. They intend to sell it and follow their very different paths. But as memories surface in every corner, a fear of getting rid of the past and an impulse to reunite grows in them. As a last tribute to their father, there may still be time to make up for lost time and the house may witness new stories.

Lola, a Valencian living in Barcelona, is forced to return to Valencia to find solutions to the image crisis of the beverage company she works for. But when Lola returns, nothing is the same. Her mother has moved to Serrabella, a mountain town where Lola will find a possible solution to all her problems.

This film is Álex Montoya's first feature film: an interesting adaptation of the play La gente by Juli Disla and Jaume Pérez, also screenwriters of the film. The emergence of assembly groups after the political movements after 2011 served their authors to cast a comic look at decision-making processes and the capacity for dialogue of the human being.

A boy and a girl are on a date in a bar. Introductions are done via an alternative card game, in which each card represents a good or a bad move. Who will win?

Spain, March 1939. The war is dying down. At the Port of Alicante thousands of people are piling, waiting for the arrival of ships that will carry them to exile. Moored, the freighter Stanbrook is witnessing the desperation.

After 50 years in theatre, film and television, Carme Elias is diagnosed with Alzheimer's Disease. Together with Claudia Pinto, a director and friend, they decide to record her last conscious voyage. The characters played by Carme accompany this difficult period, while the borders between fiction and reality disappear. While You're Still You is a constant game of mirrors, a pact of love and friendship.

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Ricard Camarena bases his cuisine on Valencia’s local vegetable production. His constant search for harmony between flavours has seduced the critics and crossed borders. Alongside Mari Carmen Bañuls, the brain behind the management of their restaurants, the two form an indissoluble team which have overcome great adversity to achieve success, vouched for by two Michelin stars and the recent National Gastronomy Prize. The couple are enjoying their most balanced moment. Balanced? The Covid-19 outbreak has thrown them up against a hitherto unheard-of challenge: to reopen their restaurants with the uncertainty of the “new normal”. Heedless of the pandemic, the vegetable garden continues its natural growth cycle and offers the chef a new horizon of flavours.

Enrique was separated from his mother at birth, Ascension was forced to give up her daughter after giving birth. Both are victims of the "stolen babies" plot, a slippery ground for Spanish justice. While they continue with the legal battle, they continue with their searches, living with guilt, rejection and the construction of their own identity.