Béla Bartók

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.

The Ghost Sonata relates the adventures of a young student, who idealizes the lives of the inhabitants of a stylish apartment building in Stockholm. He makes the acquaintance of the mysterious Jacob Hummel, who helps him to find his way into the apartment, only to find that it is a nest of betrayal and sickness. The world, the student learns, is hell and human beings must suffer to achieve salvation.

Protesting youngsters chant slogans such as “Johnson murderer” and sing “Murderer, many people are being killed”. It is the late sixties. In his film, Van der Keuken presents his visual view of the changes in the mentality of a growing group of young people in Western society. He films youngsters who paint their faces and react against the monotonous lives of pen-pushers and civil servants. Their attitude exudes resistance against existing social structures.Van der Keuken exchanges images of protest marches that occasionally get out of hand with charming pictures of nature. He said the following about this film: “In the case of these youngsters, the surrounding violence is turned inside, as it were, and directed at the exploration of personal observations.” (idfa.nl)

Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…

Director Gaspard Bazin is working on a new feature film. For now, he's still looking at the fundraising and casting stage of the process. He calls upon Jean Almereyda, a once-fashionable producer who is now going through a bad patch, finding it increasingly difficult to raise the capital he needs for his ventures. His wife Eurydice dreams of being a movie star. A perverse game between the two men ensues, with Almereyda wanting to please his wife, but reluctant to demand a role for Eurydice because of Bazin's reputation as an incorrigible seducer.

Valery Gergiev conducts Mariusz Trelinski’s thrilling new production of these rarely heard one-act operas. Anna Netrebko stars as the blind princess of the title in Tchaikovsky’s lyrical work, opposite Piotr Beczala as Vaudémont, the man who wins her love—and wakes her desire to be able to see. Nadja Michael and Mikhail Petrenko are Judith and Bluebeard in Bartók’s gripping psychological thriller about a woman discovering her new husband’s murderous past.

Based on the Béla Bartók opera, Duke Bluebeard reluctantly and gradually uncovers the secrets of his psyche to his fourth wife, Judit, opening the seven doors of his castle to ultimately reveal his still living previous wives, among whom Judit must take her place.

Directed by Pierre Clément and Djamel-Eddine Chanderli, produced by the FLN Information Service in 1958, this film is a rare document. Pierre Clément is considered one of the founders of Algerian cinema. In this film he shows images of Algerian refugee camps in Tunisia and their living conditions. A restored DVD version released in 2016, from the 35 mm original donated by Pierre Clément to the Contemporary International Documentation Library (BDIC).

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.

Documentary about the Belgian surrealist artist who died in 1967.

On Earth in 2018, the Doctor and his companions are enmeshed in a deadly web of intrigue thanks to his uncanny resemblance to the scientist/politician Salamander. He is hailed as the "shopkeeper of the world" for his efforts to relieve global famine, but why do his rivals keep disappearing? How can he predict so many natural disasters? The Doctor must expose Salamander's schemes before he takes over the world.

An old man pays a woman to live with him as if she were his wife, until one day he discovers that she's sleeping with his son.

A modernized version of the famous ballet work by Bela Bartok

A young doctor undergoes a spiritual crisis when he returns to his rural home.

Perhaps this is Robert Vas' most personal film; a portrait of his country - Hungary - as seen through the eyes of an exile. Robert Vas escaped from his homeland after the brutal crushing of the 1956 Hungarian Uprising by the Russians and he was never able to return. He portrays his country through the writings of Hungary's national poets and illustrates the film with images of the Revolution and of the society it would become in the years immediately following 1956. The film was transmitted on the 20th anniversary of the crushing of the uprising.

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(auto-translation: LA CINÉMATHÈQUE FRANÇAISE ) Using a subjective camera, set to music by Bela Bartók and text by Arthur Rimbaud, François Reichenbach offers a highly singular vision of the American megalopolis. (MIFF:) These are no ordinary travel notes brought back from America by filmmakers; they are not enthusiastic records of skyscrapers and crowds. but disturbing aspects of a hallucinatory world of concrete and metal, glaring light and haunting shadow. The film is notable for its dramatic use of colour, and music from Bela Bartok's ballet "The Miraculous Mandarin". (a-t:) F.B. confides in his memoir 'Le monde a encore un visage' (1981): "When I went to New York for the first time, I'd brought along a Bell & Howell 16mm camera whose instructions I hadn't read. I didn't know how to use the film, and inadvertently loaded some rolls that had already been printed, which resulted in these strange superimposed images. A well-known process that I had reinvented by accident".

At the Baden-Baden Easter Festival, the Berliner Philharmoniker and conductor Jakub Hrůša perform the Concerto for Orchestra, a work composed by Béla Bartók during his exile in the United States. Also on the programme is Beethoven's Piano Concerto No. 5 performed by South Korean pianist Seong-Jin Cho.

In Hoppla!, two choreographies by Anne Teresa De Keersmaeker are brought together and performed to the music of the Hungarian composer Béla Bartók: Mikrokosmos, seven short works for two pianos, and Quatuor no. 4, Bartók’s fourth string quartet. The reading room of the Ghent University library, designed by the renowned architect Henry Van de Velde, serves as location.