Camille Aguilar

New passions. New fashions. New Emily? A plucky American marketing whiz spreads her wings in life and love after landing her dream job in Paris.

Morgane is 38-years old, has three children, two exes and an IQ of 160; her destiny as a cleaner is turned upside-down when her extraordinary abilities are spotted by the police who offer her a job as a consultant.

Murders in... is a collection of French-Belgian police TV movies taking place each time in a different French city and region.

In 1991, 24-year-old Detective Alexandre Falco has it all, a loving wife, a new-born daughter and his dream job. But one day out in the field, he is shot in the head. Falco opens his eyes again 22 years later to a changed world, where everything he once had is no longer as it was.

Fired for insubordination, PJ Antoine Verlay, good cop but a blood strand and having difficulty working as a team, is attached to the OCBC (Central Office for the fight against Traffic in Cultural Goods) thanks to the intervention of the commander Pardo, his friend who becomes, therefore, his new superior. A clever investigator, but a stranger to everything related to culture, Antoine will have to work with Florence Chassagne, renowned art historian, who lives, speaks and breathes culture, to the point that - fruit of her great imagination - it happens to her in the midst of daydreams, to see and talk to the great artists who have disappeared as if they were familiar to her.

Anthony, a young waiter, investigates his sister's disappearance at a luxurious hotel. Falling for the owner's daughter, he unravels dark secrets beneath the opulent facade.

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In the small bordertown of Villefranche, lost in the heart of a large forest, crime rate is six times higher than elsewhere in the area. Each new crime Major Laurène Weiss solves with the help of her unusual team makes her sink deeper and deeper into secrets of the area.

Year 2065. Convinced sex was better in the old days, a group of teenagers set out on the trail of Retrosex.

A bullied overweight teenager sees a glimpse of hope when her tormentors are brutally abducted by a mesmerizing stranger.

When his fiancée dumps him at the altar for her ex, a young man is left with no alternative but to go on his romantic honeymoon with his mother.

Mélanie, 16 years old, lives with her mother. She likes going to school, her friends, playing the cello, and she wants to change the world. But when she meets a boy on the Internet and falls in love with him, her world changes as she is gradually recruited by Daesh. Sonia is 17 years old, and she almost did something irrevocable to “guarantee” her family a place in paradise. These teenage girls might be called Anaïs, Manon or Leila, and one day they all might go some way down the recruitment process. But can they ever come back from it?

The show takes us though the ups and downs and shows us his universe, giving us LIKE’s perspective on how he feels. LIKE ME dives into his everyday life situations and every episode is linked to a podcast. LIKE ME has two independent parts linked by the same theme.

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After being bullied for months at school, 16-year-old Jonathan douses himself with gasoline and lights a match. Now, in an induced coma, his body covered in burns, his life is on hold, his parents are in shock and the school is in turmoil.

While cleaning the apartment of Lucía, her deceased grandmother, Anna finds a notebook where she discovers the story of a secretly kept love, lived during the turbulent years of the Second Republic and the Spanish Civil War.

For years, Axel has cut off ties with his family, devastated by a tragedy for which he was made to bear responsibility. When the freighter on which he was cook stopped in his hometown, he decided to visit his mother, Françoise. It's a shock: she no longer recognizes him. Having Alzheimer's disease, Françoise now forgets whole sections of her life. Axel is the first of the siblings to disappear from his memory. Why him? What is he hiding behind this oversight? And while Ivan and Lucie have agreed to have her admitted in the center, Axel opposes it frontally and delays her departure to take care of her, despite the tensions. Between the mother and the son opens the face-to-face so long feared and yet necessary.

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