Racquel Zaballero-Sanchez

Two aging couple who work in the Filipino film industry, a linear editor and an ex-dubber, who, at the twilight of their lives, decide to part ways to know what’s missing in their lives. They both explore things they haven’t explored before as they both undergo a sexual awakening in their lives. The wife finds comfort in a local school janitor whom she sees a slight parallelism to her life. On the other hand, the husband gets enamored on a shy barrio lass whose face elicit the same weakness he has for women chinita eyes.

A group of down and out-of-luck men decide to make a film starring Ronnie Lazaro, the most sought-after indie actor in the Philippines. Things get complicated when Lazaro decides to beg off from acting on their supposed "indie film" and they are forced to abduct the actor.

Often in the backseat and a second priority to her partner, a lawyer decides to end her relationship and focuses on herself with a help of a man out of her league.

A disillusioned and suicidal Rizal, a cross-dressing Bonifacio gripped with paranoia, an ex-Katipunero who joins the US army to save his own neck, and a widow whose sex-for-food errands lead her to become the first ever Makapili. These are the historical mosaics that will form a singular hypothesis as to why we are like this as a people and up to now still reeling from our damaged culture.

A story of how these two barangays have opposed all measures for a bridge to be put up to link them together and make life easier and productive for them.