Directing
Often in the backseat and a second priority to her partner, a lawyer decides to end her relationship and focuses on herself with a help of a man out of her league.
Two aging couple who work in the Filipino film industry, a linear editor and an ex-dubber, who, at the twilight of their lives, decide to part ways to know what’s missing in their lives. They both explore things they haven’t explored before as they both undergo a sexual awakening in their lives. The wife finds comfort in a local school janitor whom she sees a slight parallelism to her life. On the other hand, the husband gets enamored on a shy barrio lass whose face elicit the same weakness he has for women chinita eyes.
A group of down and out-of-luck men decide to make a film starring Ronnie Lazaro, the most sought-after indie actor in the Philippines. Things get complicated when Lazaro decides to beg off from acting on their supposed "indie film" and they are forced to abduct the actor.
A disillusioned and suicidal Rizal, a cross-dressing Bonifacio gripped with paranoia, an ex-Katipunero who joins the US army to save his own neck, and a widow whose sex-for-food errands lead her to become the first ever Makapili. These are the historical mosaics that will form a singular hypothesis as to why we are like this as a people and up to now still reeling from our damaged culture.
A story of how these two barangays have opposed all measures for a bridge to be put up to link them together and make life easier and productive for them.
