Peter Volkart

Women bring children into the world. But when, as in the case of Sandra, Jasmine and Jennifer, you're not yet eighteen and your belly is starting to round out, that's when people look at you sideways. And once the baby's here, life with a child is a far greater challenge than we ever imagined in our rosy teenage dreams. A long-term study of three very young mothers, their children and their fathers. A film about their first great love, their professional futures and their dreams for the future.

Subotika, a little-known island on the other side of the globe. An enchanting country with extraordinary sights, grand visions and a couple of minor problems.

Hundreds of thousands of Indian men and women – indigenous inhabitants and landless farmers – demand their right to existence by making a 400 kilometre protest march from Gwalior to Delhi. How can one fight for one’s rights without using violence? With such an important contemporary question, the film spreads far beyond the borders of India. It shows the multiple facets of this imposing protest march and focuses as well on the daily realities of these proud people.

A visual epic about subliminal longings and the aesthetics of suffering. A work of atmospheric images and sounds dedicated to the retina, the eardrum and the soul. The young Inuit - the sea seems to have washed him up one day, to some place forgotten by God and time. Time, which is commonly called life, sticks to his fingers. Three steps behind him leaps the parasite of eternal suffering. The story begins in this enraptured sphere, focusing on a series of episodes in which the young man's fate takes its course: in a strange world that knows its own laws.

The travelling salesman Jonathan Fisch peddles glass eyes. His journey takes him to the edge of the province, where he checks in to a run-down hotel. The attic room number 606 has its pitfalls. Something rather peculiar is happening beyond the wall. Jonathan Fisch can expect a very turbulent night. A night that begins one evening in late autumn and doesn’t end until spring.

A photo that you hold in your hand immediately after clicking? 70 years ago this was an almost magical innovation! The story begins in the post-war period with the brilliant American inventor Dr. Edwin Land. Polaroid’s instant photography is born, a phenomenon that subsequently shapes whole generations of snap shooters and photographers, attracting a wide array of wildly experimenting artists. Half a century and a digital revolution later, the demise of Polaroid seems unavoidable. But the presumably dead keep on living. What follows is the miraculous resurrection of a cult object in a world dominated by Smartphones. SUBITO is not just an originally narrated film about the origin and importance of instant photography, it is also a highly amusing insight into popular culture and the untiring human enthusiasm for technical novelty. Renowned film artist Peter Volkart ventures into feature film length for the first time with this fascinating and sprightly narrated documentary essay.

The film accompanies musicians who have devoted themselves to new, uncharted sounds with a great deal of passion. They build new instruments and work with quotidian noises. In the process, the ostensible noise often becomes sound. An adventurous journey of discovery into the realm of noises and sounds, rhythms and stillness. Together with people who listen closely and without reservation. A film that aims to engage viewers to listen with their eyes and see with their ears. Astonishingly sublime.

Engaging with objects from everyday culture is a hallmark of Peter Volkart, both in his art objects and in his films. Volkart stages mysterious journeys that venture into unknown territory and penetrate the consciousness like will-o'-the-wisps, as in "Terra incognita." His short films have a magical appeal: they have been shown at numerous film festivals in Switzerland and abroad and have won many awards.

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