Yung Yuk-Yi

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Police Commissioner Fong (Roy Chiao) enlists the chivalrous female bandit Muk Lan-fa (Suet Nei) to retrieve the latest gadget that emits deadly laser beam and its protocol before it is smuggled out of Hong Kong.

After the villainous eunuch Gui De-Hai overthrows the emperor, he and his most loyal general hunt for the two people who can stop his nefarious schemes. But the young Prince Jin and Yan Yan are under the protection and training of two master wuxia knights.

Cheung Yan-Lai, framed by his elder brother Cheung Yan-Tsuen, is sent to jail. He manages to escape and plans to take revenge along with a sorcerer, who uses orangutan blood to turn the Yellow Hair Monster into a lethal weapon.

Poor teacher Chan Chi-hong, his wife Lee Yuk-mei and their five children survive on his meagre pay. When he is laid off by two schools in a row, the family runs into difficulties. The children resort to begging on the streets to pay the mother's medical bills. Turning to writing, Chan's novel fails to find a publisher and, worse still, he comes down with tuberculosis. Dealt a further blow by the death of the youngest daughter and the pressures from the loan sharks, Chan contemplates killing himself and his family but changes his mind when he witnesses the sacrifices made by other parents for their children. He vows to be a dutiful father and tries his best to overcome their adversities. His novel is finally published and sells well. Through thick and thin, the family at last sees the light at the end of the tunnel.

Book Without Words is a 1965 Cantonese martial arts film directed by Chan Lit-Ban and starring Cheung Ching.

1969 Kung-fu film featuring Suet Nei in the lead role.

Bai Yu Lung's father mysteriously disappears one night, and for 10 years Bai searches for him in vain. Finally, he decides to head to the far northern part of the country with the hope that he can find a clue in that region. There, he falls in love with a beggar (Cheng Pei-pei) and they continue the search together.

A series of murders are committed after the victims are served with a Death Pass. Connie Chan Po-chu is the "Jane Bond" on the case!

The New Tale of the Flying Crane (Part 2)

The first appearance of the comic character Old Master Q and friends.

The third live action Old Master Q movie depicts drama and hilarity between a young couple during their hardships.

Buddhist Spiritual Palm Returned

Driver Ko Wah (Lee Ching) refuses to transport ammunitions for the enemy, and is sent to jail after a scuffle with his traitorous boss. Although down and out, Ko takes in Siu-fung (Yung Siu-yi), an unwilling erotic dancer who has fled the war to Hong Kong. They may lead destitute lives, but their conscience remains intact. Director Cai Chusheng co-founded the National Salvation Association of Cinema. When Ko makes a uproar at the dance parlour and rips apart his friend's zombie costume, it represents Cai's criticism on the muddling-along attitude of Hong Kong society at the time. The characters' decision to return to the mainland to join the resistance effort also foretells Cai's decision to do the same in real-life.

Orphan Lee Dan-hung is made a scapegoat by her cousin Chor Kwai-ping. Facing drug trafficking charges, Lee is released on parole with the doctor To King-chung as guarantor. Lee works as a sanatorium nurse. The modest caretaker, Matriarch To plays matchmaker for her son To Ngan-sing and Lee. Ashamed of her past, Lee listens to the doctor's advice and keeps the Tos in the dark. Chor returns and coerces Lee into colluding with smuggling ring by threatening to kill her newborn daughter. The reluctant Lee is arrested in a police raid together with the gang members but is later acquitted. With a reputation to defend, To toughens his heart and expels Lee. Lee leaves for Borneo with a touring opera troupe but a yearning for her daughter brings her back several years later. Feeling for the upset in-law, Matriarch To grants her stay until his son's return from business in a few months' time. When To returns, he decides to make up for the wasted time by bringing Lee and her daughter home.

Director Wong Yiu, recognising the spending power of a new demographic, was looking to create a teenage sensation for the factory girls. It soon became a social phenomenon in the 1960s. Former child star Connie Chan Po-chu fitted the bill perfectly with her doe-eyed innocence framed by silky long hair. In Girls are Flowers, she plays a young tutor falling in love with a handsome boy. However, their road to romance is paved with potholes and speed bumps. Chan's fellow former child star Nancy Sit plays the boy's younger sister who saves the day with her shrewd, nimble-minded plans. Sit's role may be small but with radiance from her glorious smile and beaming personality, she brightens up this musical romantic comedy like a fairy-tale nymph.

Lee Sun-fung is renowned for adapting literary classics for the silver screen. To commemorate the seventh anniversary of the Union Film Enterprise known for producing quality films and co-founded by Lee, Human Relationships is adapted from writer Ba Jin's novel into film. The Yiu family moves into a manor. Mrs Yiu, while frustrated by the way her step-son is spoiled by her husband and mother-in-law, develops a friendship with a kid (Michael Lai) who steals flowers from the mansion's garden. She later learns that he is the son of the place's former owner whose downfall at middle age is the result of being spoiled when young. Lai was only a child but gained a foothold among seasoned veterans like Cheung Wood-yau, Ng Cho-fan and Pak Yin.

Rich heir Lee Man, passionately in love with Pak Siu-ping, leaves the family defiantly after a dispute with his father Cheung-fat over an arranged marriage. Man walks into the barber shop owned by his splitting image Chiu Tak, throwing his wife Cheng Ying, friends and patrons into confusion. Believing that Chiu has strayed, the infuriated wife leaves home. Abducted to the nuptial hall, Chiu shuns the arranged bride, waiting and lurking for his escapade. The puzzle is solved when the two men finally meet face-to-face. Chiu and his wife rekindle their romance after Chiu's feigned death, plotted by Man to put their love through the ultimate test. Cheung-fat, who witnesses Pak's outpour of affection over the presumed death of Man, gives his blessing to the lovers. The barber shop enjoys a booming business with the capital brought in by Man.

Buddhist Spiritual Palm

Mimi asks handsome Chan Chi to drive her home one night, when she is short of money. They meet several more times at the restaurant, and Chan Chi eventually asks her around to his place for supper. She doesn't turn up, so he goes out to a swingers party with his publisher. He is shocked to find Mimi there, as the escort of a playboy. In a confused confrontation afterwards, Mimi decides she is not good enough for Chan Chi, and she vanishes. Chan Chi decides he really loves her, and commences the search.