Maximiliano Gorriti

Mariana is a systematic girl. She studies English and German at a language school. She works in a call center as many hours as possible and saves everything she earns. To entertain herself a little, she looks for men in bars with whom she only plans to spend one night. Why compromise if she just wants to travel? That is Mariana's plan, to go away and what better than to an island in the Mediterranean. But Gabriel, an unlikely boy who keeps getting into her life with bad jokes and uncomfortable questions, forces her to look at herself and wonder what she wants to run away from.

Two con artists try to swindle a stamp collector by selling him a sheet of counterfeit rare stamps, the "nine queens".

In 1993, spectators at the last screening of a horror film at a downtown cinema fall one by one into the hands of a sadistic and ruthless killer.

The true story of four men who narrowly escaped death at the hands of Argentina's military death squads in 1977. Claudio Tamburrini is a goalie for a minor-league football team when he is abducted by members of the Argentine military police and taken to an unofficial detention center on the false suspicion that he is a terrorist. As he is tortured by intelligence agents looking for information he doesn't have, Tamburrini fully expects to be killed. After many sessions of brutal torture, Tamburrini and his fellow captives Guillermo and Tano are being readied for execution when, in a final desperate act, Tamburrini dives out a window during a rainstorm.

Mariano is a psychologist who must fulfill community service after losing a lawsuit by a traffic accident. He is forced to provide therapeutic support to Alfredo, a policeman depressed over his wife cheating on him. Mariano is then accidentally involved in a double homicide investigation being conducted by Alfredo.

In the summer of 1928, several inmates from the National Penitentiary in Buenos Aires managed to escape. The film narrates the fate of each of these runaways in search of their destiny - tough men with their own ethical codes and ready to do anything not to return to prison. Some of them will suffer violent deaths, while others manage de disappear. Sordid and moving stories, not excluding tenderness and love, mercy or horror sealed with a pact of prison love that will remain in the heart of Buenos Aires, as witness of the yearned-for freedom.

Manuel is a lonely young man of upper middle class who lives in Buenos Aires with his mother. Due to a fortuitous circumstance, one day he discovers that his father, whom he does not know and whom he supposes living abroad, is in the country. He decides to go and look for him and on his motorcycle starts a long way south through Patagonia.

When he wins a contest, seventeen-year-old Daniel Montero gets to spend a night in Buenos Aires with his favorite adult movie star, Sabrina Love. However, getting there will be half the trouble of meeting Sabrina.

In the plains of Latin America, Guaco, a humble landowner, witnesses a son's betrayal driven by greed, leading to the downfall of a respected family.

When Caro and Marce go on vacation they find a new friend, Buji, and just like Dibu, she is a cartoon animated kid. Abu, Pepe, Víctor, Leo and Dibu are left alone at home and they have quite an adventure when they decide to sign-up Dibu in a go-cart race.

Borges falls in love with Beatriz Viterbo, a high-class young woman, who decides to marry a government official who makes Borges strongly suspect him, speculating that he is a sadist who is slowly poisoning Beatriz. To save Beatriz Borges, he decides to turn to a detective, who becomes the hinge of an unthinkable story.

One mother, two sisters that make each other jealous, and a visitor whose presence upsets the home’s precarious system until he is taken by storm, enveloped in his own astonishment.

Love, passion, disappointment, pain and sadness shape this love triangle between Aniceto, Francisca and Lucía, played by dancers Hernán Piquín, Natalia Pelayo and Alejandra Baldón.

There are very few icons in Argentine culture capable of appealing to both popular and elitist tastes. Leonardo Favio was undoubtedly one of them. An unseasonable Peronist attached to the liturgy of his land, the director, born in the province of Mendoza, was and artist at every craft. a Renassaince man, but above all, a filmmaker. This is how "Favio: Chronicle of a Director" recaptures him, as a man of film who fed from radio, acting, music and painting in order to build up the handful of rhapsodies with which he adorned argentinean cinematography

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A cartoonist and painter who can not stand out and make a living, among other things, as a photographer of news magazines and a beautiful young woman who comes to Buenos Aires from inside the country to try to make it as a model and actress, living a love as passionate as fraught with disagreements.

Damián, Facundo, Luciano and Marcelo have been friends since childhood and they share the passion for classic rock and roll on vinyl records. Their relationship is also marked by other big subjects: friendship and girls. When one of them decides to get married the four lives stir up.

A young couple, eight months pregnant, impulsively return from their family vacation. Halfway there, their car breaks down, and they are stranded in the mountains. In the midst of searching for shelter, they arrive at an abandoned roadside shelter. The pressure of the baby's imminent arrival and the difficulty in finding help awaken an inner labyrinth of anxiety within the young couple.

The family Pintín: Ada, Bepo and grandfather Fierro must rescue Luna, the youngest daughter of the family, who was kidnapped by humans and taken to an island that functions as a private zoo.

After the accidental death of his mother, Andres has to move in with his grandmother, Olga, and his estranged father Raul. Andres, who doesn't like to take a nap, wanders curiously through the neighborhood, where an illegal detention center is hidden, something everyone knows, but no one dare mention. Courage and fears will be tested with lasting consequences for all.