Charline Vanhoenacker

Quotidien (nicknamed "The French Show with the Good Lighting" abroad) is a French daily infotainment television program broadcast in the early evening on TMC since September 12, 2016. The show is hosted by Yann Barthès and produced by Bangumi. It consists of segments and reports produced by the team of commentators and journalists surrounding Yann Barthès and features daily guests including newsmakers, intellectuals, politicians, and French and international celebrities.

Every day live on FRANCE 5, Anne-Élisabeth Lemoine and her team receive those who make the news. In the second part, the program welcomes, around a meal prepared by a qualified chef, artists in promotion.

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In 2008, Sami Benboudaoud discovered the hell of Neuilly-sur-Seine. Ten years later, now that everything is for the best for Sami who brilliantly completes his studies of political science, nothing will go for his cousin Charles of Chazelle.

A Magritte Award is an accolade presented by the Académie André Delvaux of Belgium to recognize cinematic achievement in the film industry.

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One day when Solange is studying the accumulated dust balls in her apartment, the doorbell rings. A delivery man claims to have a packet addressed to her. Solange is definite: it's impossible. The misunderstanding intensifies, Solange collapses. When a doctor suggests that someone watch over her for the night, her landlord accepts to do so. But he's called away on a mission and decides to find another watchman... A genuine human chain will then form so that Solange is not left alone because it seems that this relationship therapy is doing her good.

Following in the wake of Benoît Poelvoorde and Philippe Geluck, comedians, actors and other Belgian singers have established themselves in France in recent years, in the media and on stage. But, if we appreciate them today, this was not always the case. In this documentary, director Olivier Monssens acts as the spokesperson for his compatriots. Through testimonies and delicious archive images, he returns to the not-so-distant era when our neighbors were considered friendly but somewhat idiotic people. The film is also an opportunity to understand what characterizes the Belgian spirit by focusing on some of its facets: humor and its famous local variation, self-deprecation, cinema and music.