José Enrique Izquierdo

An unconventional cinematic work in which, through many narrative layers that intertwine, the director offers us a very particular view on a subject that is still taboo in society and arts.

In January 1933, workers who were part of the CNT marched in the streets, demonstrating and believing that they were starting a revolution. Somehow during the demonstrations, two guards were wounded. The Civil Guard and Assault Guard arrived in Casas Viejas on January 11. Many of the villagers fled, but some anarchists tried to resist arrest and barricaded themselves in the home of an anarchist.

A group of people, both men and women, get together to exchange their points of view, practical and theoretical, about sexual life and the relations between couples.

Miguel is in love with Rosa, a special woman. The relationship did not work at all and decide to break. Rosa then falls for a Sevillian painter who has returned after forty years of exile.

The movie is a road movie where Triana's spirit is recalled across his friends, musicians, managers and admirers. The success of the band was mixing the magic of Rock Music with the deep musical roots of Andalusia. Gonzalo García-Pelayo,the director, and his brother Javier, friend, discoverer and manager of TRIANA, have created this cinematographic project with the intention of honoring the mythical band. Their original songs will be use used as background to represent the spirit of 40 years ago when freedom and music were an important way of life.

Dr. Hugo Arranz celebrates his 50th birthday with his wife and daughter when vile hooligans break into their home, raping and killing both his wife and daughter and cutting out Hugo's tongue. Fortunately, he survives, and not surprisingly, he goes "Bronson" on the punks after some self-training with knives, pistols and weightlifting.

A film director sets out on a road trip to scout locations for her next film. An admirer of Resnais and experimental cinema, she tries to create a story in which her own story is mixed with that of a singer with whom she had a relationship in the past.

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Nacha, a secondary character in 'Copla', narrates the real interiorities of the Luis-Lola couple in their love crisis with the arrival of Manuel. The story unfolds differently from what happened in 'Copla', because Luis comes to the conclusion that he loves that Lola is loved by Manuel. Everything happens during the preparation and filming of 'Copla'.

Lola and Luis are married until Manuel shows up and grabs Lola (and Trini, a florist friend and also a singer). This story of torn love will seem like the lyrics of a copla, the Spanish music genre to which both are dedicated, songs that border on love until death and that classically represent the absolute surrender of women to love. This love for Manuel divides the marriage and the friends.

Making-of of an explicit film in which the plot is intertwined and confused with what happens behind the scenes.

Javier has heard of El Pelícano, an old industrial warehouse corralón in the center of Seville, in which a diverse group of artists, musicians, painters and craftsmen interrelate forming a free, fruitful and luminous community. In this "world apart" live peculiar characters such as El Canijo de Jerez, Pepe Ortega, Orlando, La Chocolata, Chipi, José Guapachá, Miriam y Rorro, Marta, Perpetuo, Jeri, Ana and many others, whom we will get to know in a Tour through the alleys of this popular space where Art looks for you and finds you.

After filming in Seville, García Pelayo and his team moved to Kazakhstan to shoot Ainur, a film about " love, moderna arquitectura, echoes and bicycles” (G. G. P. dixit). Víctor (Víctor Vázquez, El brau blau, La vida sublime), who lost the love of his life in an accident, Ainur, a young Kazakh, returns in search of his tracks to that country with his friend Pablo, secretly in love with Ainur, and his new girlfriend, Olivia, who prepares a documentary about the city, a mixture of tradition and avant-garde.

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No description available.