Writing
Thirty Cases of Major Zeman is a Czechoslovak action-drama television show intended as a political propaganda to support the official attitude of the communist party. The series were filmed in the 1970s. Each episode encompasses one year, and investigations are stylized to that year. Most are inspired by real cases. The series follows the life of police investigator Jan Zeman during his career from 1945 to 1975.
The time is 1945-46. 10 year old Eda and his friend Tonda live in a small village outside Prague. In school, their class is so wild and indisciplined that their teacher quits and is replaced by the militant Igor Hnidzo. He is very strict – but also very fair. His weakness though, is his interest in young women.
The movie's main storyline follows the life of Otík, a young man, in a tight-knit village community. The sweet-tempered Otík works as an assistant truck driver with Mr. Pávek, his older colleague and practical-minded neighbor. Pávek's family takes care of Otík, whose parents are dead. However, the two coworkers become at odds over Otík's inability to perform even the simplest tasks. Pávek demands that Otík be transferred to assist another driver, who happens to be a choleric and suspicious man named Turek (Turk in Czech). Rather than work with Turek, Otík decides to accept an offer of employment in Prague, but finds he does not fit in to the city life. After discovering that the transfer of Otík to Prague was a trick by a crooked politician to get a deal on Otík's large inherited house, Pávek agrees to give Otík a second chance and retrieves him from the city to resume their work together.
No description available.
Olda Raška, a novice pilot, is going through an emotional crisis that will greatly affect his professional abilities. Only thanks to the understanding of his superiors will he realise his shortcomings and overcome the crisis. While he begins his life's journey, the experienced pilot Lieutenant Colonel Lošťák has to quit flying for health reasons. The film is very skillfully crafted and attractive for its time, mainly due to the unique aerial shots and behind-the-scenes sequences from the airport.
In the frontier village Vetrov boys from the children's home called Indians lead a bitter "war" with the local Símáks. Before a battle the Indians have a meeting in the sandpit with a smoke signaling. The smoke brings to the sandpit a frontier guard Tomás with a police dog Ranek. The children learn from Tomás that Rank served out and that it shall be destroyed. The nine-year old Fanda writes a letter to the "minister of the frontier guards" in which he asks to let Ranek live. To save Ranek's life he also visits the local frontier guard commander. In the end it is decided that children from the children's home may keep Ranek.
The story takes place in the Czech-German border region in 1938. The hero Tomás Jakl marries but the marriage is not very lucky and falls apart. His German friend forced him to enter the Nazi party.
An aging professor at a Prague neurological clinic is forced to confront his personal values and the harsh boundaries of medical science. Already burdened by the ultimate questions of life and death, his ethical convictions are put to the test by Víťa, a young patient with an inoperable tumor.
Her mother dead, 18-year-old Vladka travels to a remote village in the dead of winter to find the father she has never met. The happiness of their initial meeting gives way to the daughter’s disappointment and concern over the hardworking man’s alcoholism.
Dr. Lorenc selects excerpts from older Czech films for a symposium on laughter.
Getting out of prison doesn't mean being free. After the bloody suppression of the Prague Revolution in 1848, one of its participants, the writer František Vinický, spent eight years in prison. Returning to Prague in 1857, he tries to make contact with his former friends. The main one is his former comrade-in-arms Antoš. Of course, the man's steps also lead him to his former love Ida, who has been married to the councillor Mayer for several years. Vinicky is followed at practically every turn by the secret police, who will not allow him to get a decent job, let alone publish his new book. Police Councillor Berger makes it clear to the writer that a lot could be arranged if Vinicky would commit to cooperating...
After their young daughter dies suddenly from a viral infection, Marie and Petr struggle to cope with the silence and emptiness left in their apartment. The couple drifts apart as Marie sinks into deep isolation while Petr attempts to distract himself through work and social interactions. Eventually, they decide to try for another child in an effort to move forward and rebuild their fractured relationship.
The theatre director encounters the disinterest and irresponsibility of the acting troupe, whose members are scheming and looking for side income. The tired and sick artist wants to finish his work at any cost.
Josef Laufer portrays Egon Erwin Kisch in two daring journalistic adventures: in “Zuřivý reportér,” Kisch goes undercover in a poverty lodging house, uncovers a tattoo’s dark backstory and deciphers a secret telegram hinting at war via the legend of the black rose; in “Lovci senzací,” he pursues sensational leads and exposes hidden truths, proving why he was rightly called “the raging reporter.”
This downbeat, grim drama about three brothers who are reunited at their mother's funeral is actually visually as dark as its story, making it difficult at times to clearly distinguish a scene. These brothers are not particularly exceptional as people go, but at least they have branched out into separate vocations in their lives. One brother is a doctor, another is a criminal, and the third is a bus driver. Like others in Europe, they suffered through World War II, yet no matter what their backgrounds and experiences, their interpersonal relationships are not exactly gripping drama.
The hero of the story is a forty-something intellectual, a sensitive composer of classical music. His exclusive profession, his work, which is actually incomprehensible to those around him, and his deep inner passion set him apart from the conformist milieu. Therefore, he tries to search for the "lark's silence" - a new strength, purity, truth, essence and roots of Czechism. However, on his return from the oppressive, alienated big city to his native village, to his former home, to nature, a deep disillusionment awaits him: he discovers that the once idyllic village has lost not only its face, but also any manifestation of spiritual life in its foolish attempt to resemble the city.
A communist journalist from Prague is sent to Ravensbruck concentration camp.
During the change of functions in the Fortuna medical ceramics company, Bohouš Fisher, an independent clerk, became deputy director of the company against his will. As a result, he is forced to make even greater compromises than before. He takes part in unnecessary meetings for which he has to raise money from company funds because of his position, or he jocularly solves a "work" accident of two employees who were engaged in love games instead of work. It's not much better in his private life. He would like to do some meaningful work, like building a stove.
Why? (Czech: Proč?) is a 1987 Czechoslovak drama film directed by Karel Smyczek. It was screened in the Un Certain Regard section at the 1988 Cannes Film Festival. The film deals with the hooliganism in Czechoslovakia, particularly with the fans of football club Sparta from Prague, whose supporters were the pioneers of the football fan riots in Czechoslovakia, starting with hooligan actions already in the 1960s, like breaking the trains in which they travelled when they went on Sparta's away games. The film deals with one of such episodes
