Kal Ng

Hong Kong-born Toronto resident Jenny (Jennifer Chan) is unnerved to the point of sleeplessness by the sudden disappearance of her fiancée Charles (Wayne Kwok). After overhearing a conversation, she enters Dreamtrips, a computer service that allows customers to travel into their own dream worlds. With the initial help of a guide, she wanders though empty cityscapes until she eventually happens upon her beau. Due to a systems crash, Jenny is abandoned in this virtual world which she does not know how to navigate.

A man seeks help from a soul investigator to discover the meaning of his stigmata.

This film shares the common theme of migration and search with Kal Ng’s 1999 film Dreamtrips, while further visualizing the two cities of Toronto and Hong Kong. We can see in this film an empty version of Toronto and a purified version of Hong Kong, which appear and disappear on the screen alternately and create a world of constant flux and imagination. Influenced by André Bazin's 'myth of total cinema', Kal Ng feels that the ultimate purpose of cinema is to re-present a priori experience of human existence deep down inside. In other words, cinema is never a fully developed invention, but a progressive movement that continuously explores the imagery system. Through his films, Kal Ng focuses on exploring the spatial dimension of how emotional messages are conveyed beyond the narrative through the interaction between human beings and landscape.