Writing
On the eve of the 2001 outbreak, Natalia falls madly in love with her lifelong friend Diego. The romance is interrupted when he meets the more experienced Silvia. With the help of her grandma Rita, Natalia decides to call on incantations and curses to jinx Diego and Silvia's blossoming relationship.
Province of Buenos Aires, Argentina, 2101. The world has been ravaged by a biological warfare. A man wakes up in the desert, unable to remember anything of his previous life.
Through archive footage and images as well as interviews, the movie paints the portrait of a legendary trans womens' rights activist in Argentina. Like a family album to flip through, the narrative charts the ties solidarity and mutual aid create between people of the LGBTQI+ community and the long road to make the personal political, during the brutal 1980s in latin America.
Julia, wife of a wealthy lord living near the Iguazu Falls, has nightmares for several days. The lord builds a fence to ward off the indigenous people, the Guarani tribe, but Julia is still anxious about her son Manuel’s safety. One day Manuel suddenly disappears, and when searching for him, Julia runs into her maid, Kerana, who was believed to have died one year before, under the falls.
An invasion alien threatens the fate of humanity and begins in a village where there are Bill Johnson, John West and Max Giggs. The friends escape from there with the purpose of finding and destroying the invading ship before it completes its evil plan of conquest.
Lucas and a group of friends decide to make a Sci-Fi movie without knowing that they live in a world where that is forbidden. They become the only hope of rebellion, the only hope to bring down a decaying empire and generate a new revolution that awakens the sleeping people.
A massacre tinted Cascallares with blood and time covered the events with a cloak of silence. Ten years later, a group returns to the place to investigate. They will soon turn into corpses one by one. History repeats itself.
A history of Argentine horror cinema, from its beginnings in 1934 to present day. It is a path of defeat, dead-end streets and triumphs, where the protagonists will lead us through the lesser known hallways of local horror.
Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.
Inés, a young psychic, receives a visit from Elena, a mother who seeks to find how her daughter died. After informing Elena that she can't help her, a series of strange events will surround the life of Inés and her boyfriend, Manuel.
Benavidez is a frustrated art teacher, argues with his wife and seeks refuge in his psychiatrist's house. He becomes a victim of the house system, and at the end of the road he will change his life and his destiny forever.
In a popular auction that matches the sinister and colorful of a circus of phenomena, a couple adopts children in exchange for their belongings. The children there acquired, usually mutilated, are in their new home in order to prepare for access to the Peronist education program taught in only 10 state institutes.
A young editor (Esteban) will find that he is a prisoner on his new job: an "editing island".
In the urban jungle of Buenos Aires, Cichonga is the toughest badass around, until his nemesis steals his beer, the secret to his might and superhuman strength. Cichonga will have to pummel his way through to recover what is his.
The gang of zombie Indians returns from the dead to take revenge and claim what is theirs.
No description available.
Comedy about the misadventures of a violinist in an imaginary Latin American country
