Liu Liang-Hua

Monkey King, Pig and Friar Sand must rescue his master Buddhist monk from seven witches / spiders who believe themselves to be immortal if they eat the monk's flesh. The third part of the Shaw Brothers film series about Monkey King after the novel "Journey to the West."

During the Japanese occupation of Shanghai, Chen Zhen, the star pupil of a recently-deceased martial arts teacher battles a Japanese dojo which seeks the demise of his fighting school.

Cheng is a young Chinese mainlander who moves in with his expatriate cousins to work at an ice factory in Thailand. He does this with a family promise never to get involved in any fights. However, when members of his family begin disappearing after meeting the management of the factory, the resulting mystery and pressures force him to break that vow and take on the villainy of the Big Boss.

Ho Li-Chun, a pretty but ruthless swordswoman, and three challengers are participating in an open tournament at Prince Kuei's Palace. A knight, Chen Jo-Yu, is defeated in the tournament. He flees and later returns with knight Tang Ching-Yun who wields a strange sword. They get trapped but Ho deliberately sets both free after seeing Tang's weapon which she recognizes as the same weapon once used by Sun Tien-Chen, a foe of the Ho family. She decides to investigate. She finds out Prince Kuei actually is Sun, who killed the real prince years ago and assumed his identity. Ho joins forces with Chen and Tang. The trio slays Sun in a desperate confrontation at the palace.

A father whose daughter is killed by the Dark Angel's Gang, goes in search of justice.

The Monk, Monkey and Pigsy find themselves in the title realm, where women can only give birth to women...unless loved by a man

Paul (Zhang Chong) is a businessman who gets caught up in an international espionage plot when he accidentally switches briefcases with a friend aboard a Singapore-bound plane. The friend turns up dead, and Paul discovers a small Golden Buddha inside the briefcase that contains a set of instructions. The instructions are only one of three parts, the other two being held in similar Golden Buddhas by Lo Wei (doing double duty as actor and director) and Lin Cui. When combined, the three Buddhas will lead the bearers to a buried treasure. But the nefarious Skeleton Gang is after the Buddhas, along with a buxom femme fatale (Fannie Fan) who isn't above showing a little skin to get her way. Luckily, Paul knows kung-fu, so the bad guys had better watch out!

An action film directed by Wei Lo.

Li Bing, a nightclub entertainer and a reformed thief was caught up in a fight against a criminal syndicate after forcing a cohort to return the wallet he previously stole from an assistant of a scientist who has just recently completed a doomsday device.

The socialite Pai Li-Lan's life is disrupted when she contracts tuberculosis.

Before director Lo Wei helped to discover Bruce Lee and the king of kung-fu comedy Jackie Chan, in Madam Slender Plum, Lo perpetuates the career of yet another Shaw's non-action, femme fatale starlet; the sleek and sexy, puppy-eyed Eurasian Jenny Hu. It's a melodrama with a touch of murder-mystery in the vein of an old Alfred Hitchcock movie where Diana Chang plays the mother with Jenny playing her oldest daughter.

A mystery caper of devilish fun, Temptress Of A Thousand Faces proves a femme fatale can match any man in wickedness. A mysterious thief has been committing crimes across the city. Always disguised and ever elusive, woman detective Chi Ying cannot find any clues for a good lead. But her reporter boyfriend Yu Ta is always supportive and understanding. Reversing the standard role stereotypes, it is the man here who then becomes the damsel (or dude as the case may be) in distress. Constantly frustrating her police woman foil, the temptress manages to make a game of outwitting her nemesis.

When a sailor accidentally kills a Japanese man in a bar room brawl, he tries to escape the law by hiding himself in a freighter heading for Japan only to find himself in the middle of a massive drug war.

Lily Ho, a secret agent out to thwart the sale of a powerful explosive to the wrong people. It’s a female, Chinese James bond.

Crocodile River features Romeo And Juliet-flavored story. Families are against each other. Yodi is the Romeo and Lee Ting is his Juliet. The two students love each other from across a river that is filled with crocodiles.

The Blood Pool Map re-emerges in Jiang-hu, and all good and evil sects hunt for Fang Zhaonan, who is said to carry it. For his part, he simply hopes to trade it to the herbalist Lu Xuan for medicine he needs to free his sister, but fate has other plans.

Spy films had always been popular in Chinese-language cinema, with stories set mostly in WWII or the warlord era. The Tender Trap of Espionage, made two years before Dr. No (1962) which kickstarted the Bond film craze, is a story of intrigue between spies and counterspies within the Japanese Occupation force. The film was shot in Taiwan, offering unique visages, with cat-and-mouse mind games set in motion against trust, betrayal and seduction. Based on the British film The Two-Headed Spy (1958), future action maestro Chang Cheh wrote the script while husband-and-wife team Lo Wei and Lau Leung-wah star together as agents, with Lo doubling as director.

A Shaw and Sons production

Lau Leung-wah plays the titled character, a Chinese Robin Hood who robs the rich to help the poor. She is an early Republican Era Mulan, who switches effortlessly between charming gentility and agile ferocity, and Lau personifies her character's duality with a balance of grace and vigour. Chang Cheh, on the verge of fostering seismic changes in cinema with his martial-arts machismo, pens a script that captures the spirit of changing Chinese womanhood, underscored by a conflict between Black Butterfly and her father, a veteran detective.

A Shaw and Sons production