J. Charles Gilbert

After escaping a Nazi POW camp, a young Scottish RAF gunner recounts his perilous journey through occupied France with the help of the Resistance. During his debriefing in London, French intelligence officers press him for details—especially about one companion whose true loyalties may not be what they seemed.

When Susie Long appears, together with her 20 year old son, Pink and Pound are thrown into confusion that one of them could be his father.

After a $50,000 heist in New York, two of the suspected robbers walk free from the courtroom and they waste no time in heading to London in search of the missing loot. This means bad news for their former accomplice Jim Raynor, who has the money hidden away not least because they're not the only ones on his tail; Scotland Yard is also on the case...

Backstage before a performance, a French actor recalls his time in Madagascar during World War II, when he secretly ran a Resistance radio station under the watch of a collaborationist police chief. His story unfolds in flashback, revealing espionage, deception, and divided loyalties within the French ranks. Made for Britain’s Ministry of Information, this 1944 French-language propaganda short satirizes Vichy opportunism and wartime hypocrisy, and was shelved for decades before its release in 1993.

Through a series of unforeseen events, two glamorous young ladies find that they are obliged to spend the night on board the battleship HMS Falcon, where they have been attending a 'bon voyage' reception. At first it seems that Captain Randall will be able to keep them concealed, but then the Admiral unexpectedly arrives on board and orders the ship to sea.

Wartime Germany: Marie, a concentration camp escapee on the run from the Nazis, narrowly escapes drowing when she is rescued by Wolfe Kristan a half-mad lighthouse keeper. Brought aboard the lighthouse itself, she begins to fall in love with the assistant keeper who, unknown to her, is a British spy. As the couple become more intimate, Kristan's jealously finally pushes him over the brink and into full-blown madness...

A series of murders in the West End of London baffle the officers of Scotland Yard and draw the interest of a crime reporter to the case.

With the ending of the Spanish Civil War, a dispirited band of volunteers from the International Brigades seeks refuge in France. But on reaching the frontier, the band is disarmed, and all are detained as political prisoners. Then come instructions from Vichy that all fit prisoners are to be sent to Morocco to work on the Sahara railway for the Germans. However, one man manages to escape to London with vital information for the Allies.

At the height of World War II, the Germans discover that a certain British personage is to stay at the country house of Lord Buckley. They devise a plan whereby they will kidnap the real Lord Buckley, and send to England an actor who will masquerade, lie in wait for the visitor with a number of gunmen, and take him back to Germany.

Eileen Hannay (Dinah Sheridan) is the singing star of an Irish operatic society but gives up to marry Terry O'Keefe (John Bentley).

A young girl goes through the trauma of her parent's divorce and seperate re-marriages.

The son of a notorious hangman is gradually becoming insane and he finds himself unable to resist the urge to strangle women to death.

When You Come Home was Randle’s seventh feature film, and sees him recount his life as a music hall odd job man to his grandaughter.

Eden Philpotts' "provincial" comic novel and play The Farmer's Wife was first filmed in the silent era by Alfred Hitchcock. The 1940 talkie version was directed by Leslie Arliss, son of stage star George Arliss. The story remained the same: A middle-aged widower attempts to select a wife from his rural district's eligible females (Basil Sydney). Three unsuccessful dalliances later, the farmer settles for his housekeeper, whom the audience has been rooting for all along. The Farmer's Wife is a prime example of the sort of fare that struck a proper chord with British filmgoers, but whose appeal would be lost to any other nationality.

A group of Russian nobles fleeing the Bolshevik revolution meet up with a traveling circus. To escape their pursuers, they disguise themselves as members fo the circus troupe.