Christine Oesterlein
Acting
Known For
Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.
Das Kriminalmuseum
Eight Hours Don't Make a Day (German: Acht Stunden sind kein Tag) is a West German television drama miniseries written and directed by Rainer Werner Fassbinder. Commissioned by Westdeutscher Rundfunk, it broadcast in five episodes between 1972 and 1973. In Cologne, West Germany, young toolmaker Jochen's world is explored, including those around him: the woman he loves, his eccentric family, and his fellow workers, with whom he bands together to improve conditions on the factory floor.
Eight Hours Don’t Make a Day
In 1999, a woman's life is forever changed after she survives a car crash with two bank robbers, who enlist her help to take the money to a drop in Paris. On the way, she runs into another fugitive from the law — an American doctor on the run from the CIA. They want to confiscate his father's invention – a device which allows anyone to record their dreams and visions.
Until the End of the World
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Paul Esbeck
Between Munich and Seville, the destinies of sixteen characters intertwine and intersect, missing each other or colliding head-on. They are all, without knowing it, at a pivotal moment in their lives...
Am I Beautiful?
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Getting a Life
After serving five years Willi soon learns that his new life is another kind of prison since no one trusts an ex-convict. His uphill struggle for a job and shattered hopes of a normal existence grind him down to utter despair.
Wer einmal aus dem Blechnapf frisst
A look at the lives of 19th-century composers Clara and Robert Schumann.
Clara
Berlin student Irma plays the balalaika in a gay choir, is having an affair with her married psychotherapist and is getting on quite well with her life. She works as a cleaner in the villa of judge Dr. Schwarz. But her life is thrown into turmoil when she discovers that the lady of the house is holding her mother-in-law Nelly captive in the cellar. Irma quickly frees the old lady and takes her into her own home for the time being. As soon as Nelly regains consciousness, she launches a campaign of revenge against her daughter-in-law, giving Irma a million in cash and the villa where Irma had been cleaning the day before. Nelly herself disappears to Mallorca, the island of cleaning ladies. Irma, who has grown fond of the lively old woman, travels after her...
Die Putzfraueninsel
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Der gelbe Pullover
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Im bayerischen Stil
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Olivia
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Die Frau des Fotografen oder Die groĂźe Liebe
Unabridged production of Goethe's Faust â… by Peter Stein's Faust Project.
Johann Wolfgang von Goethe: Faust I
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Der SĂĽndenbock
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Familientreffen
In the winter of 1977 Schaubühne staged texts from Hölderlin's "Hyperion" in the Olympic Stadium in Berlin, associating with historical, political events and terrorism of recent times.
Winterreise im Olympiastadion
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Die Teufelsspur
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Die Farbe der Seele
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