Rēzija Kalniņa

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Anna and Victoria left their homes at 8 a.m. And never came back. An investigator from Saint Petersburg arrived to a small Latvian town in an attempt to find the connection between the two missing women.

Kaminsky is a long-distance driver disappointed both in life and other people. His last duty as a drives takes him to Estonia where he decides to fulfill an old promise. By chance, Kaminsky meets an Estonian cellist Stella on his road. Her career in Germany has ended already before it ever started. Kaminsky's trailer truck is being steadily followed by a catafalque where an Estonian beginner bank robber Wolf is chasing his eluded prey. Undertaker Manfred with dark past tries to lead Wolf closer to God. In Estonia, everyone's wishes will come true, even if not exactly the way they ...

The love story of sixteen-year-old Arturs is interrupted by the First World War. After losing his mother and his home, he finds some consolation in joining the army, because this is the first time national battalions are allowed in the Russian Empire. But war is nothing like Arturs imagined – no glory, no fairness. It is brutal and painful. Arturs is now completely alone as war takes the lives of his father and brother. Also, no progress is made in the promised quick resolution of the war and timely return home. Within the notion that only he alone cares about returning home and that his homeland is just a playground for other nations, Arturs finds strength for the final battle and eventually returns home to start everything from scratch, just like his newly born country.

Farmers Maria and Martin wish to adopt a boy from an orphanage and are surprised to receive Anna sent by mistake. Anna quickly wins the heart of Martin but is disapproved of by stern Maria at first.

A young woman in Stalin-era Riga joins a basketball team, hoping that she will be allowed to travel abroad and see her brother who's living in exile.

Sabine announces to her husband Andris that she has a new occupation – online therapy that lasts 3 minutes. She tries to get her husband to agree to be her first therapy “guinea pig”. During this “therapy” Sabine finds out that she’s controlling and although her husband tries to satisfy all her whims, it is never enough for her. Sabine gets her first client – ex-colleague Dainis. Sabine is convinced that Dainis wants to talk about their relationship because he cannot deal with her rejection. But Dainis has an unpleasant surprise for Sabine – he has a girlfriend.

Adam’s first wife Lilith is mentioned in the ancient Oriental legends, in Talmud and in the medieval books of Cabala. According to these sources, she was not created from Adam's rib like Eve but from clay like he himself. Nevertheless Lilith was not recognised by Adam as his equal and left him after a quarrel heading for Babylon. She has no soul, and she is immortal. Lilith assumes different names, can change her appearance, and takes possession of men against their will. Once it's accomplished, she leaves her victims forever, marking them for either spiritual, or physical death. Whatever she does it is neither Good nor Evil. She is made of an altogether different matter. Inspired by the works of French writer Anatole France, Yevgeny Pashkevich‘s GULF STREAM UNDER THE ICEBERG consists of three dramatically interwoven stories with the immortal Lilith stalking through time and space with her demonic mission.

A love circle between a dishonest government employee, a freelance actress, a passionate dancer, and godmother of a local mafia cartel. It could be serious if it wouldn’t be so funny.

John is arrested on his 40th birthday, just on the day when he has realized that everything he has been doing before has increased the absurdity and senselessness of this world.

Siblings Roby and Raya after the death of their father and being abandoned by their mother, are forced to live with their dominating grandmother in a small country house owned by their family. Things change after the sudden death of their grandmother. The teenagers have to face a tough choice: either to report the accident and submit themselves to a life in an orphanage or hide the dead body and live as if nothing has happened.

The Estonians and Latvians join hands in this jointly produced Baltic comedy about love and theft centering on light-fingered Margita. Everything and anything that hasn't been nailed to the spot winds up in her possession - whether it's a wallet belonging to a passer-by or a Jeep. But the police are on to her and the streets of Riga are becoming just a little too dangerous for Margita these days (played by rising Latvian star Rezija Kalniņa). She decides to break camp and hitchhike her way up north coming to rest at a little place called Vineeri in Estonia, where she soon finds herself looking after an entire household, including three men and a small boy.

Donats is a modern-day Don Juan juggling the various women in his life seemingly without any consequences, until he falls in love with Agnese. Her husband, Ralfs, turns out to be a formidable opponent.

It is the story of a Latvian middle-class couple - Laura and Aivars, who have been forced to look at their lives from a new point of view due to the restrictions of the pandemic, and Laura decides to divorce. Aivars is not happy about this, and in order to make the process less painful, a relationship counselor is hired, who makes Laura and Aivars perform various tasks aimed at making the divorce peaceful and respectful. The couple's children watch the sudden epic with mixed feelings - the eldest daughter Eva, who openly demonstrates her indifference and independence, and the youngest son Haralds, who is fond of video recording, which he also does during parental arguments. Their neighbors, the Liepini family - Talis and Jogita - are also drawn into the whirlwind of events. The divorce becomes an unpredictable and somewhat tragicomic series of events for almost everyone involved.

Alice von Trota returns to her father’s manor in Latvia in 1919 to sell it and start a new life. She meets the hostile resistance of the local workers and discovers she has been lured into a carefully tailored trap set by a demonic lawyer, a decadent underground organisation and its necrophile leader. While escaping the clutches of her “helpers”, she meets some silent-cinema enthusiasts and learns to use the cinematograph as a tool for healing and self-discovery, as a weapon against her enemies and as a way to create a masterpiece.

The dawn of the XX century promised Latvians a prosperous and happy future. The nation’s self-esteem had awakened, and farmers were increasingly able to rise above even the estate stewards. Rudups, old soldier of the Kaiser and, with his wealth and pride, a thorn in the Baron’s side, becomes truly uncontrollable when he’s hit by Cupid’s arrow. The old boy is willing to do anything for simple maid Emily. But the girl loves his godson Karlis. It’s all a mix of riches, of cheating, and the Baron’s lawlessness. The fight of two relatives for Emily’s heart changes the fate of both men and the maid, so she can see sunshine through the tears.

Members of a class of the 1980s hold an annual gathering. All together spend one night remembering the passions and hopes of youth and realising what has been achieved or missed.

Lonely, 45 year-old worker Kasandra has just received a lethal diagnosis from her doctor. She goes to her high school reunion, confused, and is faced with phantasmagorical events that completely shatter her daily routine. Kasandra flees from the city. In the forest, she is engulfed by a river and brought to a secluded sea shore. Alone and over time Kasandra experiences an unusual healing and rebirth.

A young couple of biologists and their two children move from Riga to a nature reserve where they're provided with an old country cottage. They start to repair the cottage and feel at home, but the former owner of the house suddenly returns from Canada. When he realises that the present inhabitants have kept the spirit of the place alive, he gives up his rights to the cottage. The film then concentrates on him coming to terms with his memories of his time as a guerilla, when he found his first love, his 'sister-in-arms', who betrayed him fifty years ago. The film also investigates the relationship between the young biologists and nature, and the process of reaching adulthood. The title of the film, The Nest, stands for the surroundings of living nature (the forest, the marshes, the coast) and more generally for the small fatherland that has to maintain its position among great powers such as Russia, Germany and America: countries that largely shape the fate of the characters.

Beatrise is drifting in life. She has based her existence on unsuccessful relationships that have collapsed, like sand castles, one after the other. Forced to re-evaluate things, she realizes that she can only achieve harmony by learning to rely on herself, and not on illusory feelings or words.