Julia Pesce

Argentina, 2001. In the midst of the economic crisis, Manuel and his family have to move to his grandmother's house. Caught in a strange war over the occupation of spaces, Manuel finds, in his grandmother, a particular way of resisting.

Pelu is a thirty-something who barely survives on his salary as a projectionist at a municipal film club. After losing his job, he agrees to stay on as a night watchman and ends up living secretly inside the cinema, accompanied by the films he reviews every night.

Today is the day of truth. Tomás, 12, has heard adults' excuses and delaying tactics long enough, today is the day the man who killed his father is being released from prison. And Tomás is ready.

No description available.

Two working-class young men dream of making it big with their cuarteto band. One night they get caught up in a crime they didn't commit. Knowing that their origin condemns them in advance, they flee with no other option.

Piedra Blanca, San Luis, Argentina, 1930. A school teacher loved by his students, must confront parents for his particular pedagogy.

Juanjo, Mario and Lucía go into a Qom community in the middle of the Impenetrable Chaqueño to make a television program that portrays the misery and desolation in which they live and how this affects their daily life. Upon arrival they discover that the Qom community has mysteriously disappeared. Lost, without food and water, they must find their way out of the mountain before the terrifying secrets that the Impenetrable hides trap them.

A broken family, a mother and her two preteen children, escape the heat and violence to spend an unplanned weekend in the sierras of Córdoba, Argentina. But between storm clouds, a stalking cell phone and migraines, rest and peace do not seem to be part of the landscape.

After being unemployed for several months, Hernán attends a job interview to apply for a position in a call center.

Julia Pesce tenderly films her family's intimate moments - nine women sharing a summer idyll in Argentina.

After composing the theme that gives its name to her second solo album, “Madre baile”, Vivi Pozzebón becomes interested in the ethno-musical origins of the cuarteto and the figure of Leonor Marzano, who knew how to mix the tarantella and the paso doble on her piano to give rise to the characteristic rhythm of Córdoba: the cuartero. From here comes this record about the origin of the cuarteto from the 1940s to the present.

The days are monotonous and silent for a young single mother living in a state of inner fragility as she tries to care for her young daughter.