João Pedro Mamede

A collection of six distinct stories drawn from a rich and extensive body of folklore that narrates Iberian mythology. This epic series weaves a tapestry of myths and tales while tackling fantasy, horror, humor, and drama.

Early 80’s. A group of criminal’s spreads terror across the Algarve with more than 20 bank robberies. The gang is led by a man they call "The Doctor" and a carpenter who earns the nickname of "The Cowboy". Captured and sentenced to 18 years in prison he becomes the protagonist of the bloodiest escape in Portuguese prison history.

The series develops around cases of homicides that occurred during the summer, at the time of the economic and social crisis that affected Portugal.

A love as large as the world itself... Pedro has just returned to the city where he was born and spent most of his life, but mysteriously disappeared without a trace for 20 years. The reasons for his disappearance have always been cause for speculation, as he was something of a celebrity in the city. Despite always denying any direct responsibility, he was known for performing miracles on people's lives by having them look at themselves from a different perspective. In fact, Pedro has the gift of being able to foresee the future. But his visions can be, at the same time, a blessing and a trap. When he was young, he saw his girlfriend Carmen dressed as a bride laying in a coffin and wearing an engagement ring that he assumed was his. It was as if fate was warning him... Pedro ends up getting involved with Manuela and have a daughter with her named Sofia. Still, he goes through a rough period and receives a serious death threat that makes him leave everything behind.

The world is at war. While Portugal seems like an oasis by the Atlantic, its glamorous casinos and secret hideouts become the stage for a network of daring women spies, trading information that could turn the tide of the conflict.

After the murder of a local student, a small town judge faces an unexpected dilemma: now her actions can put her family at risk.

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The chronicle of a Portuguese family that owns one of the largest estates in Europe, on the south bank of the River Tagus. The Domain delves deeply into the secrets of their homestead, portraying the historical, political, economic and social life of Portugal, since the 1940's to these days.

In 1971, António Lobo Antunes' life is brutally interrupted when he is drafted into the Portuguese Army to serve as a doctor in one of the worst zones of the Colonial War – the East of Angola. Away from everything dear he writes letters to his wife while he is immersed in an increasingly violent setting. While he moves between several military posts he falls in love for Africa and matures politically. At his side, an entire generation struggles and despairs for the return home. In the uncertainty of war events, only the letters can make him survive.

Madrid, Spain, 1936. The young Miguel Gila lives happily with his grandparents in a humble attic; but the outbreak of the Civil War forces him to go to fight.

Pavese considered Dialogues with Leucò his best work. Eloquent and at the same time sententious and fragile, but implausible among humanized gods, demigods, heroes, and other pagan figures of Greek mythology, who question, through the imaginary of myths, the society of contemporary man. Out of a time and a certain space, and thus, and like all myths, always current.

Lisbon, 1980s, Rosa, a woman joins a group of young people disappointed at the post-Revolutionary Portugal. Part of a far-left clandestine armed organization, they share political views and a daily life that makes them grow closer. But their idealism collides head-on with a changing country and a large-scale police operation targeting them. Fleeing on a road with no return and no way forward, their existence is made up of bank robberies, bombs, friendships, prison, love and death. Trapped, their only choice is to keep on the run until they get arrested or killed.

Filmmaker Catarina Vasconcelos sifts through the memories of her ancestors. Her naval officer grandfather, Henrique, who married her grandmother, Beatriz, on her 21st birthday, spent extended periods at sea, leaving her with six children. This is the beginning of a generational saga.

Vargas is an undercover agent whose mission is to capture a group of robbers. The robbery of a jewelry store will be the ideal moment to catch them in the act. After a conversation with Ricardo, one of the group's members, Vargas questions his view of the enemy, making the mission much more difficult.

In 1918, Maria Adelaide Coelho da Cunha, heiress and owner of the Diário de Notícias, leaves the social, cultural and family luxury in which she lives to escape with a petty chauffeur, 26 years younger.

Miracles still happen—or so they say… What is the place of the sacred in the contemporary world? Looking again at a myth that haunts us, that of Saint Anthony of Lisbon (and also of Padua), through the timeless painting of Goya, 13 Alfinetes is a story of love, revenge, and blood. It begins with a reenactment of an episode supposedly occurring in medieval Lisbon, filtered through the cosmopolitan 18th-century Madrid, and returning to Lisbon today, where miracles, in truth, no longer happen.

Lisbon; after another blistering summer, Miguel finds himself in a deep jadedness. An improvised party erupts at his apartment awakening the memory of a passion.

When night falls, a man pierces the darkness and encounters a monstrous being that speaks to him in an unknown tongue. Night after night he gives himself over to this obsession, trying to understand what the shadows hide. He tries to photograph it, draw it, but is consumed by the darkness.

A walk for half a century, yes, a letter perhaps. Travels in my life, I could call it, which I like Garrett so much. A traveling as he would like, a loose story, memories, projects, meetings. Also because, since 1995, I have done several portraits of artists (Palolo, Bravo, Lapa, Skapinakis, Bartolomeu, Angelo, Sena, Ana Vieira and I prepare Sofia Areal and Fernando Lemos), I started to think that this is my life, these meetings , see, hear, cut, show, tease. I want, with this film continue to show what I see. [Jorge Silva Melo]

From a certain idea of Rousseauian rural purity, “Colmeal” is settled in the small homonymous village located in Riba-Côa, also known as ghost village, due to the effects of the rural exodus and the inland desertification. In an allegorical way, quite worked on the natural elements and the sound elements, the film tells the story of a young man who lives isolated and who obsessed by a woman who comes from the city to spend her summer vacation. Gradually, the young man tries to overcome the inability to deal with his emotions, seeking to discover himself, emotionally and sexually. Márcio Laranjeira and Sérgio Brás d’Almeida are debutants in Curtas Vila do Conde and propose a return to the themes of growing pains and transition to adulthood, with young people trying to find their place in the world and to define their personality, especially in context of social and loving relationships.