Carol Moore

Follows rookie police officers working in Belfast, a city in which being a frontline response cop comes with unique pressures and dangers.

Three lifelong pals embark on a chaotic quest to solve the mystery of their old friend's suspicious death and keep their own dark secret under wraps.

When Elvira’s editor informs her that she will be paid per article, she begins murdering people to avoid going broke. Her plans are shaken when she falls for the crime reporter.

When she discovers a centuries-old mystery within her town, autistic teen Addie finds her voice and lets her light shine as she stands up for those who were persecuted for being different like her.

Storyland is an award-winning initiative by RTÉ.ie and Screen Ireland, a program that develops and showcases new, original Irish short dramas by emerging talent in writing, directing, and acting. It operates as a competitive call-out for scripts, with the top finalists receiving funding and support to produce their 25-minute short dramas, which are then broadcast on RTÉ2 and the RTÉ Player.

John, a 35-year-old window cleaner, has dedicated his life to bringing up his 4-year-old son, Michael, after the child's mother left them soon after giving birth. When John is given only a few months left to live, he attempts to find a new, perfect family for Michael, determined to shield him from the terrible reality of the situation.

The story of former Ulster Volunteer Force member Alistair Little. Twenty-five years after Little killed Joe Griffin's brother, the media arrange an auspicious meeting between the two.

Set in a post-Troubles Northern Ireland, The Truth Commissioner follows the fictional story of Henry Stanfield, played by Roger Allam, a career diplomat who has just been appointed as Truth Commissioner to Northern Ireland. Eager to make good as a peacemaker, the Prime Minister urges a commission following the South African model of Truth and Reconciliation. But, though Stanfield starts bravely, he quickly uncovers some bloody and inconvenient truths about those now running the country; truths which none of those in power are prepared to have revealed.

Comerford’s signature sharp realism infuses this drama about Reefer, an ex-IRA man who picks up hitch-hiker Teresa, a pregnant woman trying to overcome a drug addiction. They head to the trawler where he lives with friends Spider and Badger, that operates between Galway and the Aran Islands. The makeshift family are forced to turn to crime to make a living.

Lost soul Dermot is newly widowed and turns to an unusual pastime to process his pain. But his gatecrashing of every wake he can across rural county Antrim doesn’t go unnoticed. The new funeral director and her young son catch him in the act but then make him an offer he surely can’t refuse.

In 1976 the British Government put an end to the special category status of prisoners from the Provisional Irish Republican Army, no longer treating them as prisoners of war, but as common criminals. Mairéad Farrell – on whose life much of the film seems to be loosely based – was the first woman Republican to be refused political status in 1976. By 1980, when the film is set, Margaret Thatcher was Prime Minister and doggedly resolute: “There can be no question of political status for someone who is serving a sentence for crime. Crime is crime is crime.” Silent Grace seeks to capture the struggle for the restoration of political status that was at the heart of prison protests in Northern Ireland – not just by the more celebrated male prisoners – but by a smaller number of women prisoners, led by Farrell, at the Armagh Women’s Prison.

Ulster 1959. A young journalist visiting his quiet hometown is awakened by a scream in the night. He catches sight of a youth being beaten up and dragged away. When he investigates, witnesses seem to melt away, and life-long friends reveal a sinister indifference. Or is it fear?

It's Samhain (Hallowe'en) in old Ireland, and King Connor is haunted by his life, his legacy, and the enemies he killed in his time. Based on the famous Ulster Cycle.

The dark story of three people who become playthings of the devil: a man, Shawshank, human enough but with a glee for spoiling people’s lives. There’s what looks at first like a normal sexual triangle: a girl, Pumpgirl, who works in the local garage and thinks she’s one of the lads; a freewheeling jack-the-lad, Hammy, who’s in love with no-one but himself; and a woman, Sinead, neglected, lonely, out looking for a joyride of her own. Three people, one night; a night of sex and violence, resulting in consequences - and not just for them alone.

William of Orangedale is a coming-of-age comedy about teenager William, who has cerebral palsy, and his friends growing up on a council estate in East Belfast and the shenanigans that they get up to.

Ian is a struggling actor who finds himself in the unconventional role of a professional mourner. As he tours the Northern Irish countryside, his practiced mask of apathy begins to slip amongst the humour and heartache of the local funeral circuit.