George Hsin

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Old Ji is an old farmer that runs a working exchange hostel in a valley. One day, a backpacker arrives at the hostel.

Vivi is an ambitious tech executive who once believed marriage and motherhood had no place in her life. Shu, born into privilege, is a gentle but drifting lawyer who dreams of a slower, unburdened existence. The two first met in a high school band and, years later, reunite, marry, and choose to bring new life into the world. Confined to a delivery room and an extended period of waiting, the couple are forced into difficult honesty. What begins as an intimate ordeal gradually expands into a pressure cooker of family drama, where unspoken expectations and old wounds refuse to stay contained. The arrival of family members and a former lover brings long-suppressed tensions to the surface. Over the course of 36 hours, before the child is born, the marriage is pushed to a breaking point—opening the possibility of change, responsibility, and renewal—at a moment when life and death feel perilously near, and yet nothing is certain.

It's a simple story of how a blind person uses his own way to take care of a 6 yrs old little girl. The movie shows a colorful and sporty blind people's world through this little girl's eyes.

This is a 3-part love story. One girl is talking a story of her ex-boyfriend. He went aboard to chase for homosexual love. Although she stayed home, both of them are experiencing almost simultaneously unbounded sexual exploring journey in each end. The traditional narrative monologue is manipulated as a link to all the experimental segments. As the story goes on, the emotion of those original extremely abstract experimental footages are becoming touchable and understandable.