Directing
L’Étreinte (1969) is a sharp, provocative Franco-Belgian psychological drama that masterfully subverts power dynamics through an erotic lens. Heavily inspired by The Story of O, the film tracks Gisèle, an innocent runaway who becomes a housemaid—and subsequent sex slave—to Michel, a wealthy playboy. What begins as a classic tale of bourgeois exploitation takes a radical turn when a visiting friend awakens Gisèle to her own alienation. In a striking third-act shift, the film flips the master-servant dynamic, leaving the oppressor completely subjugated by his former victim..
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The Belgian filmmaker Manu Bonmariage, known as the spiritual father of the Striptease show, now has Alzheimer's at 76. Although his memory plays tricks on him, his daughter Emmanuelle goes back in time to portray a direct cinema filmmaker who was always close to the characters he so loved to film.
A seemingly funny story set in a seaside shanty town consisting of cramped beach huts with no view of the sea; crying children in a car, enough luggage for an expedition to distant parts, traffic jams in the rain, a sudden swerve... There is a certain degree of seriousness behind a story whose ups and downs are determined by chance encounter. (Belgian Cinematek)
Documentary on Marvin Gaye made during his stay in Belgium, Ostende
From transvestites to transformers, we will follow the trail that will lead us in different and famous Parisian music-halls, such as the mythical Alcazar of Paris, La Grande Eugène. Whether they are below or beyond their character, often these men who are looking for themselves look at life with the humor of despair. Why this need to "transform" themselves? Why is it always the men who cross-dress and not the women? Why did the public flock to these shows in the 1970s and 1980s? Interpretations of famous characters such as Diana Ross, Josephine Baker, Billie Holiday, the Peter Sisters, the Andrew Sisters, Zizi Jeanmaire, Judy Garland, Sarah Bernhardt, among others, contribute to making this musical document an essential testimony of this era.
Henri Storck: “The General Commissariat for Tourism had organized a ‘Year of Folklore’ and, on that occasion, asked me to make a series of films devoted exclusively to this form of popular culture.” 1.Carnaval van Oostende - 2.Vastenavond te Aalst - 3.Carnaval van Malmédy - 4.Straattoneel in Malmédy - 5.De Gilles van Binche - 6.Meiboomplanting en Passiespel door de marionetten van Toone in Brussel - 7.Heilige Bloedprocessie in Brugge - 8.De 'witte Moussis' van Stavelot en de kermis van Bergen - 9.Passiespel in Lessen en Ligny. Halfoogst-feesten in Outre-Meuse (Luik) - 10.De Chinels van Fisse-la-Ville. De 'Grootjes' van La Louvière. Het ontploiffen van Kruipotten in Luik.
Two lovers are so passionately in love that they have done something unforgivable and killed the jealous husband.
Farid is 32. A former Red Skin bullyboy and hoodlum, he is a survivor of drug "trips" in the 70’s and 80’s. It’s in drugs and rebellion that he lived his fine youth as a second generation Algerian in the Paris suburbs.
People from all over the Ivory Coast seek out prophet-healers for treatment of their medical and emotional problems. Some of these ailments may be caused by the stress of cultural change. Often Western medicine cannot cure them. This stunningly photographed film focuses on Sebim Odjo, who draws upon Moslem, Christian and traditional African beliefs in his healing ceremonies. He moderates disputes, tracks down the source of illness, and uses his powers to heal. We see a water cure used on a patient ill with spite.
Documentary about 2 men in the final stages of their live since they have terminal cancer and how they deal with it.
Film following a 17-year-old girl from Marseille as she prepares for a marriage arranged before she was born.
A son is accused of involuntary manslaughter while his younger brother is put in a foster home... .
