
Ângela Marques
Acting
Known For

Morangos com Açúcar was a Portuguese Teen drama. It was broadcast daily on the Portuguese TV station TVI between 30 August 2003 to 15 September 2012. It has also been broadcast in Angola, Syria, Brazil and Romania.
Strawberries with Sugar

No description available.
Heart of Gold

No description available.
O Olhar da Serpente

A nun is called upon to adopt her 15-year-old nephew, and as a consequence religious, familial and sensual love become entangled.
The Last Bath

Free adaptation of Sophocles classic tragedy “King Oedipus” crossed with Jack Kerouac's classic “On the Road”. The starting point is the loss of identity of a generation of Portuguese emigrants. Tebas tells the story of a young man who, looking for his origins, departs from Paris to Portugal with a beatnik truck driver. The film is a voyage into the strange depths of Portugal in the form of surreal road-movie.
Tebas

A boy and a girl fall in love. But on the night they met, she was drunk and stoned and he took advantage of her. Although she does not remember almost anything from that night, she remembers something that may compromise their relationship.
Fatal Sin

No description available.
Dentro

During an eclipse in 1984, an iconic gang of armed robbers is dismantled after robbery of the Banco de Portugal. Part of the group is arrested, the other is murdered. Two members are left together. This event is the result of an anonymous call. Who denounced them? “Racing Horses” tells this gang's story, emphasizing the individual motivations that led each member to choose this way of life. As a backdrop, the bathing area of a Portugal about to enter the European Economic Community.
Thieves Like Us

In a rural landscape, that resembles an old Portugal, an elderly man find out that his wife, whom he believed to be dead, was seen shopping in town. Spiteful and sad, he wants to hide from everyone, but his friends insist that he uses this situation to become stronger and try to get married again.
Surdine

No description available.
Verão M

No description available.
Daqui Houve Resistência

Having lost her place among the social elite, a widow remarries and starts a family.
The Uncertainty Principle

In 1496, King D. Manuel prohibited Judaism. 400 years later, Barros Basto, a Portuguese army captain converted to Judaism, and about twenty Jewish merchants founded the Jewish Community of Oporto, in the north of Portugal.
Sefarad

A young cape-verdean fighter will have to enter a dangerous boxing match to try to save his father.
Gabriel
No description available.
CineSapiens

A writer immerses himself in his work La muerte del payaso and becomes a hostage of impossible dreams. Between crimes and hallucinations, between the gothic nature of night and the decadence of the sand, a hopeless story is told, based on the work of Raul Brandão.
A Pedra Sonha Dar Flor

I am the double of the shadow of my own image. An allegory that occupies my place. This is my act of contrition. Beyond good and evil, I stand as an equation: Its result cannot be manipulated By morals or ethics. In mathematics there is no place for beliefs Just as life and death Are a certain fate.
Ornament and Crime

Based on the installation Santa Paz Domestica, Domesticada by Ana Vieira (1977) and excerpts from the September 22nd, 1956 issue of the magazine O Cruzeiro.
Tamed

Five low-life people find themselves trapped in a public toilet.
Liberdade Condicional

“An old photograph taken 36 years ago. His hand rests on my shoulder. A blessing, a gift. Then a history of over four decades of friendship, admiration and apprenticeship. A journey into Oliveira’s cinema, his method, his way of filming and his extraordinary cinematic inventions. He lived for over a century, over a century of cinema, cinema in its entirety. For him, and for me too now, documentary and fiction films go hand in hand; it is all about cinema. So I had the audacity to film a magnificent story that Manoel loved but never filmed, one that he left behind as if his hand and eyes were close to God, or among the gods, and he was steering me.” - João Botelho