Patrick Fournillier
Acting
Biography
Patrick Fournillier (born 26 December 1954 in Neuilly-sur-Seine) is a French conductor, particularly associated with opera and with the works of Jules Massenet. He studied in Paris with Louis Fourestier and Pierre Dervaux, then in Strasbourg Conservatoire and Salzburg Mozarteum. Between 1983 and 1986 he was assistant conductor in l'Orchestre National de Lille, then become Artistic Director there. Since 1988 he is Music Director of the Nouvel Orchestre de Saint-Étienne and, since 1990, co-founder and Music Director of Massenet Festival at Saint Étienne, bringing many and the most neglected operatic and vocal works of Jules Massenet back to light again. He was a recipient of many international rewards and prizes of conducting, including such as: the Hans Haring First International Prize (Salzburg 1982); Second Prize in the International Besançon Competition for Young Conductors in 1984; Václav Talich Competition Prague, Prize Winner in 1985; and Second Prize in The Grzegorz Fitelberg International Competition for Conductors in Katowice in 1987. Those many rewards brought him international acclaim and keeps him extremely busy, since many symphony orchestras and opera theatres around the world invited him either to be their guest conductor or even become their visiting music director. From 1989 to 1992 he was the Director of the Picardy Sinfonietta in Amiens. In 1989 he conducted the Paris Opera Ballet in Tchaikovsky's The Sleeping Beauty, and also the gala re-opening concert at the Opéra Comique in Paris, with June Anderson and Rockwell Blake. In 2018 Fournillier was appointed as principal guest conductor at the Finnish National Opera. Source: Article "Patrick Fournillier" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Known For
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Le monde est à vous
While best known today for having composed the ending to Puccini's unfinished Turandot, Franco Alfano wrote some dozen operas, including Cyrano de Bergerac (1936) with a libretto by Henri Cain based on Edmond Rostand's drama of the same name. It is a moving tale of romantic misunderstanding, swashbuckling bravado and heartbreaking loyalty, in which the eloquent Cyrano feels unable to express his love for Roxane because of his famously protuberant nose except on behalf of his handsome but inarticulate friend, Christian.
Alfano - Cyrano de Bergerac
"Dracula," featuring music by Wojciech Kilar and choreography by Krzysztof Pastor, quickly became a ballet sensation. The production was specially commissioned by West Australian Ballet and had its world premiere in September 2018 in Perth. Since April 2022, audiences have been able to watch the ballet on the stage of the Polish National Opera.
Dracula
Acclaimed Canadian choreographer Anna-Marie Holmes’s exhilarating production, seen at the American Ballet Theatre and English National Ballet, invades the stage at La Scala with new sets and costumes by Luisa Spinatelli. Filled with action, passion and romance, this swashbuckling comedy, based on 'The Corsair' by Lord Byron, follows a dashing pirate, Conrad (Timofej Andrijashenko), as he journeys across the high seas to save his beautiful harem girl Medora (Nicoletta Manni). An exotic, breathtaking spectacle, and an adventure not to be missed.
Le Corsaire
A Pierre Jourdan production of Daniel Auber's opera at the Theatre imperial de Compiegne. Patrick Fournillier conducts the Orchestre sinfonietta de Picardie.
Manon Lescaut
Bright lights, lavish parties and the height of fashion at every turn. But at what price? Composed at the height of the Belle Epoque, Jules Massenet’s bright, sensual opera follows a pair of not-so-innocent young lovers as they tangle with the toast of Paris, inviting dangerous consequences. Music by Jules Massenet | Libretto by Henri Meilhac and Philippe Gille
Manon: San Franscisco Opera
Live from the Teatro Carlo Felice di Genova 2003
Lucia di Lammermoor
L’Étoile did much to establish Chabrier as a major force on the Parisian stage and his contemporary Henri Duparc praised him specifically for creating a French comic genre, both funny and musical – described as something of a French Die Meistersinger. The fanciful story is set in an imaginary kingdom and all, naturally, ends well. However, despite the slight plot line L’Étoile is something of a pivotal work, a unique example of French 19th-century light opera, orchestrated with great sophistication and flooded with gossamer wit.
Chabrier: The Star
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Don Quichotte, à l'Opéra Bastille
The insatiable Don Giovanni is not picky: anyone will do, from Donna Elvira to her maid and the bride at a country wedding. But when one of his conquests ends in murder, he sets off a chain of events that takes him forever closer to his bitter fate. When the most skillful librettist and the most ingenious composer of their time join forces, the result brims with an irresistible blend of tragedy and comedy. Carnivalistic joy and lust overflow in Finnish actor-director Jussi Nikkilä’s new interpretation of Don Giovanni, marrying modern and rococo styles.