Roberto Carrera

Valeria's joy at becoming a first-time mother is quickly taken away when she's cursed by a sinister entity. As danger closes in, she's forced deeper into a chilling world of dark magic that threatens to consume her.

Angélica and José Luis have been married for thirty years and they have always lived at the same house; first with their son, Daniel, and now, by themselves. Their daily routine is threatened when José Luis loses a leg in a car accident. When they try to restructure their life, they realize their relation was already fractured and opt for silence. However, they begin a passionate search for all they have lost. José Luis takes refuge in a sexual fantasy about his young nurse, while Angélica tries to remain just as contained as she always has for so many years.

Ismael, widower of his beloved wife Teresa, walks the streets of the city in search of cardboard, in his extensive travels he has confrontations with Juan - a mental patient who thinks he is a dog and with Luigi - the most famous baker in the city. , who always scolds her daughter, because she did not inherit his gift in baking. But the destiny of these people is about to change, thanks to a magical event that Ismael will unleash.

María allows Cecilia to dye her hair while they wait for Agustín's rehabilitation therapy to finish. This simple fact will change the way mother and daughter perceive their relationship and help them cope with the difficult time they are experiencing.

Director/actor Eugenio Barba returns to Oslo, where he started Odin Teatret, to Opole, where Jerzy Grotowsky's " theatre of the poor" developed a new physical play style, to avoid communism's censorship. And to Holstebro, where Odin Teatrets presence has greatly influenced the city's development.