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Starting her senior year in high school, Sara doesn't have many friends and is caught between an overbearing mother, and a more understanding father. With uneasiness at school and tension in the household, Sara escapes to smoke in a little alley alone – that is – until Andrea, a new classmate, arrives. A close friendship develops to all that can see, but behind closed doors, an intimate relationship unfolds, which, when discovered, throws everything into disarray.
As Cotopaxi spews ash, issuing an eerie penumbra over Quito, a young woman confronts dormant familial conflicts. Desperate for a place to store her things as volcanic disaster looms, Caridad turns to her long-estranged father Galo for help. Galo abandoned Caridad’s mother long ago and is eager to make amends, but questions concerning the nature of his transgressions linger, straining communication between father and daughter and casting grave doubts over the possibility of reconciliation.
A novelist's sense of reality and illusion becomes blurred when her family confronts a mysterious drowning in the pool of their home.
The world of Salvador, a young and naive petty thief is changed by the arrival of his cousin Angel, an ex-convict in search of easy money, and with a hideout. Salvador gets wrapped up in Angel's twisted dealings in an attempt to escape from his suffocating family, dragging along his family and friends, in his criminal path. Where will this all lead?
1809-1810: mientras llega el dĂa is a 2004 Ecuadorian historical-dramatic film, directed by Camilo Luzuriaga and starring MarilĂş Vaca, Aristides Vargas and Gonzalo Gonzalo. The plot is based on the book by Juan Valdano, and revolves around the events that took place in the city of Quito between August 10, 1809, when the First Cry of Independence took place in the Spanish colony of the Presidency of Quito, and on August 2, 1810, when the Massacre of the PrĂłceres occurred in the hands of the peninsular authorities.
The life and work of Gabriel GarcĂa Moreno, one of the most controversial presidents in the political life of Ecuador. For some he is a saint but for others he is a devil.
Two lonely characters wanting to find a partner, a romantic blind date, a decadent Russian restaurant... The New Year’s Eve could't be more promising until the dinner for two becomes a crazy dinner for four: them and their ghosts. And the main course is still to come.
