Ezio Di Monte
Art
Known For

At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners -- who are freed by the blast -- Miranda becomes a revolutionary hero against his will.
Duck, You Sucker

Three partisans bound by a strong friendship return home after the war, but the clash with everyday reality puts a strain on their bond.
We All Loved Each Other So Much

Drama about love and intrigues in ancient Rome during the times of Nero.
Quo Vadis?

Two neighbours — a persecuted journalist and a resigned housewife — forge a strong bond on the day of Adolf Hitler's historic 1938 visit to Rome.
A Special Day

Bizarre events keep occurring in an old mansion, and it's soon become obvious that something mysterious is up in the attic.
Lost Soul

A businessman from the United States returns to Italy for the first time in four decades only to discover that an old girlfriend of his, along with her brother, have involved him in a massive hoax.
Macaroni

Eight Italian politicians from the communist party gather on a terrace in Rome for a get-together. They discuss about their past, present and future.
The Terrace

Time after time, soldiers of the Italian Army are forced to leave their mountain trenches in attempts to storm an enemy fortress, always with the same disastrous results. As casualties mount, indignation spreads among the rank and file. Disturbed by his superiors' decisions, Lieutenant Sassu is led to question the purpose of war and reconsider where his real duties lie.
Many Wars Ago

Antonio Barozzi moves from Lago Maggiore to Rome to become an actor. He does not realize his agent and acting coach are only manipulating him to further their own careers.
I'm Photogenic

After the liberation of Auschwitz, an Italian prisoner of War begins a torturous voyage home to Turin, through a Europe caught between war and peace.
The Truce

Love blossoms between crusader Bradamante—a woman knight wearing an invincible suit of armor—and Moorish prince Ruggero. But a sorceress predicts to Bradamante her beloved will die in battle at the hand of fellow Christian paladin Rolando, whom in turn is in love with Isabella, Ruggero's sister.
Hearts and Armour

The work-shy, lazy Germanicus is taken to Rome by slave traders and sold straight to the nouveau riche Roman Tusnelda. He manages to escape, but only to end up in the next misery as a taster at the imperial court. When the emperor dies, he is arrested as an emperor's assassin and is to be thrown to the tigers in the arena.With the help of the black slave Saba, he manages to win the deadly fight and is proclaimed - against his will - the new emperor of the Roman Empire.His pragmatic ideas as a statesman explain why the Roman Empire ended so abruptly. At the side of Saba, who is elevated to empress, he returns to his home village of Sumpfing, where he now promises himself completely new perspectives ...
Germanikus

In Caro papá, Dino Risi is telling the story of the decadent lifestyle, and dysfunctional family, of a wealthy businessman (played to perfection by Risi's favorite leading man, Vittorio Gassman). Risi paints his portrait against a backdrop of an Italy where the new permissiveness has run rampant, traditional socio-cultural values have been usurped by consumerism, and the streets have become an open battleground for politically extremist groups (the '70s were dubbed "The Years of Lead" due to the great number of terrorist acts, and politically motivated assassinations).
Dear Father

A funny, witty and bright biopic by the master of italian comedy Mario Monicelli about the famed italian composer Gioacchino Rossini, here portrayed in a wonderful way by famed actor and later director Sergio Castellitto.
Rossini! Rossini!

Serafina, Pulcinella and Isabella are three lusty, beautiful members of a traveling theatrical troupe touring the French countryside in the 17th century, leaving in their wake a crop of broken hearts. This picaresque romantic comedy is based on the 1863 novel Le Capitaine Fracasse by Theophile Gauthier. In the story, the company stops at a castle owned by the scruffy young Baron de Sigognac, who is deeply smitten with the charms of the middle-aged (and somewhat morose) beauty Serafina. He decides to travel with the company, and Serafina perversely tries to get him to woo the youngest of the company, the newly bereaved Isabella.
The Voyage of Captain Fracassa

A background of rising fascism in Venice in 1930s. A music-student, Matthias, mixes with the town's bourgeoisie and falls in love with a mature teacher, Carla, the mother of his friend Renato, and then with his young colleague, Elena.
Nest of Vipers

New year's eve at "The Islands" condos. An aging countess's party is crashed by the soccer team from her gigolo's town. While dressing for a dinner party, the wealthy Guilia discovers her husband's affair with her best friend and vows revenge. Next door, a family prepares their vintage Dodge for a drive through the streets. A call girl ties up a lawyer while, unbeknownst to him, three men await the right moment to break into his office. Across the hall, a woman downs pills in a lonely suicide attempt. Two young men hide out in a bedroom smoking dope; one of them has some dynamite. As midnight approaches, each group draws closer to grotesque tragedy.
The Last New Year's Eve

How the Italian Fascist Party managed to turn the physical elimination of a political enemy into a test of strength fundamental for the ascent into the totalitarian regime.
The Assassination of Matteotti

Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.
Splendor

Sylvia, an industrial scientist, is troubled by strange hallucinations related to the tragic suicide of her mother.