Vasileia Rozana

It has been nine years since we last met Jesse and Celine, the French-American couple who once met on a train in Vienna. They now live in Paris with twin daughters but have spent a summer in Greece at the invitation of an author colleague of Jesse's. When the vacation is over and Jesse must send his teenage son off to the States, he begins to question his life decisions, and his relationship with Celine is at risk.

Seven girls, a mansion perched on a Cycladic rock, a cycle of lessons on discipline, desire and demise-infinitely.

In the middle of the Aegean Sea, six men on a fishing trip on a luxury yacht decide to play a game. During this game, things will be compared. Things will be measured. Songs will be butchered, and blood will be tested. Friends will become rivals and rivals will become hungry. But at the end of the journey, when the game is over, the man who wins will be the best man. And he will wear on his smallest finger the victory ring: the Chevalier.

Marina, 23, is growing up with her architect father in a prototype factory town by the sea. Finding the human species strange and repellent, she keeps her distance...that is until a stranger comes to town and challenges her to a foosball duel, on her own table. Her father, meanwhile, ritualistically prepares for his exit from the 20th century, which he considers to be "overrated."

A devoted but underappreciated housewife's brief taste of autonomy as a mall cleaner (where she is a popular, model employee) is threatened by pending layoffs.

A nurse, a paramedic, a gymnast and her coach offer a service for hire wherein they stand in for dead people by appointment, hired by relatives, friends or colleagues of the deceased, to assist with the grieving process.

The true story of the greatest Greek writer of the 20th century, Nikos Kazantzakis, based on his work, Report to Greco, which is, essentially, his autobiography.

Womanizer Aris finds out he is a carrier of a sexually transmitted virus, lethal only for women. But he is also the only hope for a curing vaccine if he finds which one of his ex girlfriends had the first viral strain.

In a tale rooted in ancient Greek tragedy, a patriarch must decide the fate of his son and the boy he raised when a long-standing unneighbourly feud turns to murder.

Six chapters describe the lives and perils of Thessaloniki’s Jewish community which was almost entirely exterminated by the Nazis in 1943. Past and present become an echo chamber in which the viewer experiences, aghast, the madness of humanity.

Petros is a gay archaeologist who experiences the naked Greek paranoia in the center of Athens. Either by choice or coincidence, he comes into contact with people who are "different": An Arab immigrant, who comes to Greece, a land of "infidels", determined to conquer it by any means; A Greek-French cello player, who is burdened by the agony of her alcoholic mother; A young Albanian pianist, who carries the curse of his own personal genius and divinity; A Greek immigrant, who was repatriated but now has nowhere to call home; A bank director, who believes everything can be bought, even love; A patrolman, who creates his own version of socio-political reality. Petros' contact with these people is in fact a traumatic experience. For each encounter he has to pay a price. Sometimes the price is material, while other times it's emotional. At times it is both. Will the experience gained make up for the loss?

The leopard shall lie down with the goat. The wolves shall live with the lambs. And the young boy will lead them. 12+1 kids and the carcass of a whale washed ashore…

On the eve of the biggest show of her career, a young pop singer struggles with her sense of control over her art and her mind. But fate has other plans for her.

Three generations of women in one household do what they can to prepare for the impending loss of one of their number.

Anna arrives in a remote area on the city border. A public telephone booth stands there as the last totem on earth. This is the official city limit. Anna plans to escape. But when the well-trained phone operator at the end of the line grows suspicious of her, Anna realises that the clock is ticking at her expense.

Two young women convince each other they are under threat after accidentally photographing what they believe to be a concealed automatic rifle. Shot in drawn-out, static takes, Emma Doxiadi’s comical mystery comments on Greece’s ongoing refugee crisis in real time, pointing squarely at foolish knee-jerk reactions.