Writing
The original concept of the show was to allow the viewer to see the inner workings of a movie studio and featured interviews with MGM stars and explanations of how movies were made. Later, the format changed to show edited versions of MGM films.
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Joe is scheduled for the big fight as usual. This one has more fight sequences than plot.
Joe Palooka and two friends are taking hostage by three criminals.
Gangsters frame Joe on a drunk charge and a murder rap so they can put their own fighter into a big event. Joe investigates in an attempt to prove his innocence.
The third of the Monogram series based on Ham Fisher's "Joe Palooka" comic strip, opens with Knobby Walsh, the manager of Joe Palooka trying to talk his way out of a traffic citation, and the story leading to that point is told in flashback as narrated by Walsh. Heavyweight champion Joe, after knocking out an opponent who later died in his dressing room, feels responsible and threatens to give up boxing. But the dead fighter's fiance thinks he died as the result of a drug that was given to him by a gang of gamblers, who made a rich haul betting on Palooka. Joe, Knobby and the police unite to run down the gamblers, but not before Joe also is nearly murdered by the same means...a poisoned mouthpiece. Elyse Knox is along as Joe's sweetheart Anne Howe, although Anne and Joe had long been married in the comic strip.
Newlyweds Joe and Anne Palooka are delayed in their honeymoon plans by the helpful Humphrey Pennyworth and by considerably-less-helpful manager, Knobby Walsh.
In the second film of Monogram's Joe Palooka series, Joe is 'used', by two state senators scheming to obtain oil-rich lands, in a publicity campaign to get the land transferred to the state, supposedly for a park. When Joe learns that he has been used as a dupe he becomes disillusioned and leaves the prize=fighting profession. But, his manager, sparring partners, and fiancée manage to expose the land-grab scheme, clear Joe's name and discredit the crooked politicians.
Joe heads for South America to fight the Latin champ. Shipboard, he helps federal agents fight counterfeiters. He also spars with love interest Anne Howe.
The Palooka gang is out of money again, and Knobby and Johnny try to raise some quick cash by selling phony watches. Their first sale is their last, when a burly customer realizes he's been had. Next stop, Joe, Knobby and Punchy load up at a local diner, and Knobby has a scheme to skip out on the bill. Of course, the diner owner turns out to be their watch customer, and the boys make a hasty exit with the manager's waitress girlfriend in tow. Knobby books Palooka into a local vaudeville house to put on some exhibition bouts. Of course, their friend from the diner is in the audience, with a bag of rotten tomatoes, and he's more than willing to come on stage when Knobby asks for a volunteer to box with Joe.
Joe Palooka encounters gangsters and tries to alert the law.
After losing heavyweight contender Al Costa to mob boss Florini fight promoter Knobby Walsh recruits small town boy Joe Palooka to take his place. First in the series.
Americans are preoccupied with the news, but need an escape from many of the events reported in the news. These escapes in the past have included dime store novels. The most accessible of these escapes is what are known as the funny papers, the set of serialized comic strips that are included within many newspapers. They appeal to all socio-economic classes, and all ages. Some of the earliest known from the late 19th century include the Yellow Kid, Little Nemo, Happy Hooligan, the Katzenjammer Kids, Mutt & Jeff, and Bringing Up Father. Many cartoonists are seen in action. Some originated their characters, while others have taken over following the passing of the originator. The joy of many comic strips are the absurd and the fantastical, which are limited only by the imagination of the cartoonist. Others are grounded in reality, which add to their poignancy within the public mindset.
A crooked boxing promoter tries to shake down Joe's manager by setting up a rigged fight in Humphrey Pennyworth's hometown.
Heavyweight champion Joe Palooka (Robert Norton) and his manager/trainer Knobby Walsh (Shemp Howard), are eating a poor farmer out of house and holdings while Joe prepares for a championship bout at Madison Square Garden. The farmer sends the local sheriff to collect from Knobby.
Joe Palooka goes blind during a fight. An operation restores his vision, but he's told not to fight for a year. His trainer Knobby has picked up another fighter, but gangsters are pressing him to fix fights. Joe decides to risk his eyesight to save Knobby's honor.
Boxer Joe Palooka steps into the ring after a friend's dog gets kicked.
Now that they're engaged, Ann wants Joe to retire from the ring, seeing as how he's the heavyweight champ. Ann's mother, who doesn't want her daughter marrying "beneath" the wealthy family's standing, to set Ann up with a European count. What the mother doesn't know is that the "count" is after the family's money more than he is Ann.
Joe Palooka and Strangler Chokeovitch have set up training camps on adjacent beachfront sites. When Joe knocks out the Strangler after a misunderstanding, Chokeovitch's manager challenges the champ to a professional wrestling bout, with the winner taking all the gate receipts.
Joe Palooka and the gang travel to Paris for a boxing match against the French champion. When Anne is assaulted by a masher, Joe searches the streets for the hooligan, distracting him from his preparation for his powerful opponent.
