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Alice Coote

Alice Coote

Acting

Biography

Coote was born in Frodsham, Cheshire, the daughter of the painter Mark Coote. She was educated at the Guildhall School of Music and Drama in London (though she did not complete her course), the Royal Northern College of Music in Manchester (where she came into contact with Janet Baker and Brigitte Fassbaender) and the National Opera Studio during 1995/96. Coote was a BBC Radio 3 New Generation Artist from 2001 until 2003. She sings both operatic (particularly trouser roles) and recital repertoire, in the latter often with pianist Julius Drake. An interpreter of Handel ("his music could keep you going for a whole career") she has performed contemporary pieces such as Dominick Argento's From the Diary of Virginia Woolf, a partly atonal work first performed by Janet Baker, an influence on Coote. Judith Weir has written a song cycle, The Voice of Desire, especially for her; it was premiered at a BBC Chamber Prom. Coote has performed at England's Opera North, the English National Opera, the Metropolitan Opera in New York (Hansel in Humperdinck's Hansel and Gretel), the San Francisco Opera in 2002 (Ruggiero in Handel's Alcina) and 2008 (Idamante in Mozart's Idomeneo).[3] In 2009, she sang Maffio Orsini in Gaetano Donizetti's Lucrezia Borgia at the Bavarian State Opera. She also appeared in 2011 as Prince Charming in Cendrillon at the Royal Opera House. In 2013, she played Sextus in the Metropolitan Opera's production of Handel's Giulio Cesare. In March 2017 she reprised the role of Idamante in six performances at the Metropolitan Opera.

Known For

Massenet: Cendrillon

The 2017–18 Live in HD season concluded with an enchanted performance of Cendrillon, Massenet’s glittering operatic adaptation of the Cinderella story. This charming staging by Laurent Pelly, which bursts to life with the director’s characteristic wit and whimsy, stars American mezzo-soprano Joyce DiDonato as the title outcast-turned-princess. Mezzo-soprano Alice Coote offers a touching portrayal of the pants role Prince Charming, while soprano Kathleen Kim shines as the Fairy Godmother. Mezzo-soprano Stephanie Blythe, as the outlandish Madame de la Haltière, and bass-baritone Laurent Naouri, as the haggard Pandolfe, round out the principal cast. On the podium, conductor Bertrand de Billy leads a performance that is equal parts madcap comedy and heartfelt romance.

Massenet: Cendrillon

2018Movie
The Metropolitan Opera: The Exterminating Angel
7.7

After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.

The Metropolitan Opera: The Exterminating Angel

2017Movie