Amir Adibparvar

Jonas (Saeed Aghakhani), a former Iranian soldier during the Iran-Iraq War, sets out to search for his fallen brother's bodies years after they were killed in action.

Sarah is leaving Teheran for three years to study for her doctorate in Canada. Her flight is at 6 am. After an emotionally fraught final dinner with her family, she heads to an impromptu farewell party at her friend Farida’s apartment, intending to go straight to the airport afterwards. That plan implodes, however, when the morality police swoop in. Drinks are emptied, musical instruments hidden and women put on their overcoats, while Sarah is seized with terror that they will all be arrested – and she, of course, will miss her plane. Mehran Modiri, Iran’s popular satirist, who also has a chilling cameo as a police hostage negotiator, proves here that he is just as at home with a nail-biting drama.

Thrilled by his nephew Amir's migration to the US, Bruce's elation dims as he uncovers Amir's enigmatic nature and the unraveling mysteries threaten to shatter his world.

At just 16, Soraya is already creating stunning drawings and sculptures that are as beautiful as they are dark. This strong-willed Afghan sculptor and illustrator has been trying for five years to escape Iran and join her mother in Austria.

In an Iranian juvenile detention center, a group of adolescent girls serve their sentence for the grave crime of murdering their father, their husband or another male family member.

A documentary on the precarious lives of the koolbari, who carry goods on foot across the mountainous borders from Iran's northwestern Kurdish region.

The problems and struggles of daily life create distance between Nima and Sarah. The two have no hope of a relationship and are trying to divorce, but an accident with a child, Mehran, changes their lives.

A rich family are deciding to immigrate to the USA but the son of the family Manuchehr is plotting to take the money for himself instead and ruins their plan for migration.

Heavy snow falls from the sky as heavily-armed guards patrol the walls of an Iranian centre of correction and rehabilitation. Inside, the girls are waiting at the food counter. Among them are underage mothers and others who are married. All of them ended up here after becoming involved in crime. Drug dealing, assault, murder. Yet instead of cold-blooded criminals we discover friendly, warm young people who laugh, sing and cry together. Their close bonds have been forged by the troubled past they share. We learn of their fears of having to return to the lives they once left behind. The documental camera is intimate but respectful, the resulting portraits are full of dignity.

We had a comfortable life until my father went bankrupt and I blamed him for our misfortune. Being 30 and still living with my parents, I do not speak with my father. It is my brother's wedding and I'm not attending his ceremony. I asked my friend to film the wedding and specially my father. This film is an occasion for me to revise my attitude toward every member of my family by talking to them.

A bald girl and a young boy with long hair are trying to solve their problem with the Tehran Morality Police without having to pay a fine.

No description available.