Iván Marín
Acting
Biography
Iván Marín is a Colombian comedian, actor, screenwriter and television host, recognized mainly for having integrated the cast of the television program Los comediantes de la noche and for starring in the films ¿Usted no sabe quién soy yo? (2016) and Feo pero sabroso (2019).
Known For
When an unattractive man gets engaged to a beautiful woman, their families oppose the union and the priest set to perform the ceremony is kidnapped.
Feo pero Sabroso
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Los Comediantes de La Noche
Ricardo, Crist, and Valentino keep getting into trouble. Ricardo needs money and wants his career as a comedian to take off, but fame comes through a video that goes viral. To save his relationship with Margarita, he must solve three problems: his mother, his therapist, and his manager.
Do You Even Know Who I Am? 2
A group of comedians lose popularity in their shows; invited by a wealthy film director, they decide to attend a mysterious party that spirals out of control and ends in a murder. Are they the culprits?
Los de la culpa
Four mismatched couples meet at an exclusive resort in search of new adventures to improve their relationship. All of them will do their best to find the balance with their better half, but to achieve it they will have to overcome the difficult tests that love poses.
Si saben cómo me pongo ¿Pa' qué me invitan?
An amateur comedian who tries to make a name for himself doing Stand Up Comedy in several bars in Bogota, with no money and still living with his parents, pretends to be someone with money to meet his better half, without knowing that she also hides some secrets.
Do You Even Know Who I Am?
The Encanto resort once again hosts four couples —among them a liar, a sex addict and a thief— who come looking to improve their relationships.
Si saben cómo me pongo ¿Pa' qué me invitan? 2
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El Show de Cejas Pobladas
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Iván Marín: Why The Hell?
In the world's first comedy special recorded underground, Iván Marín guides us to the depths of the Zipaquira salt cathedral, to rise again with laughter that reflects on forced use of virtuality, false security, pandemics and its reinventions, until reaching the highest point of our laughter.