Directing
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In an Escher-like staircase, two characters, a man a woman, move around each other, in full view of the bizarre objects in the space: an infinite clock, a miniature surveillance camera, the hose of a vacuum cleaner. The camera always chooses a subjective point of view, namely from the vantage point of one of the objects or characters, who lose themselves in a game of attraction or repulsion. A surreal universe.
A group slowly comes to life on the morning after a party.
Andras Hamelberg
A metronome ticks on a mantelpiece. The rhythm transforms into a montage of light and dark. It ticks faster and faster until a stroboscopic effect is achieved.
A man and a woman are in a desolate landscape. The camera spies on them; they look around, and stare out into space. The accompanying barrel organ music is overwhelmed by a bombardment of lightning bolts or shellfire.
A short film about a young man who very much wants a romantic partner, and goes out looking for an outlet for his erotic desires. But it turns out that the space itself, rather than the man, becomes the main character of the film. The memories of the anonymous man literally penetrate this space.
A poetic film about a magical-realist painting in the house of an elderly woman. The film, a refined game that plays with the concepts of time, place, and space, was produced under the motto ‘what you see is not what you see.’
A short film about a prisoner who daydreams of freedom, but keeps winding up in an endless stretch of sand where he cannot find a way out.
